Visions and Victims : Art Melodrama in the Films of Carl Th. Dreyer
Amanda Doxtater
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Fran Bigman
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Add to BasketThe Plays and Films of Bahram Beyzaie : Origins, Forms and Functions
Saeed (University of St Andrews, UK) Talajooy
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Add to BasketA Feminist Reader in Early Cinema
Jennifer M. Bean
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Add to BasketSilver Screens and Golden Dreams : A Social History of Burmese Cinema
Jane M. Ferguson
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Add to BasketClassical Antiquity and the Cinematic Imagination
Martin M. (George Mason University, Virginia) Winkler
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Add to BasketClassical Antiquity and the Cinematic Imagination
Martin M. Winkler
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Classical Antiquity and the Cinematic Imagination
Martin M. (George Mason University, Virginia) Winkler
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Networked Bollywood : How Star Power Globalized Hindi Cinema
Swapnil (University of Michigan, Ann Arbor) Rai
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Swapnil (University of Michigan, Ann Arbor) Rai
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The Motorcycle Diaries : Youth, Travel and Politics in Latin America
Nadia (KU Leuven, Belgium) Lie
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Pre-OrderCinemas of the Global South : Towards a Southern Aesthetics
Dilip M Menon
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Add to BasketCharlie Chaplin’s Modern Times : The Work of Life in the Age of Mechanical Reproducibility
Carl Peters
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Zhen (New York University, USA) Zhang
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Jieun Kiaer
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Add to BasketAn Epistemology of Criminological Cinema
David (University of Rijeka, Croatia) Grcki
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Add to BasketFilm, Form, and Culture
Robert P. (University of Maryland, USA) Kolker
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Add to BasketHollywood and China in the Post-postclassical Era
Lara Herring
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Add to BasketThe Theological Power of Film
James Lorenz
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Pre-OrderCritical Readings on Hammer Horror Films
Fernando Gabriel (Universidad de Buenos Aires, Argentin Pagnoni Berns
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Yves Gambier
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Add to BasketBob Dylan on Film : The Intersection of Music and Visuals
Jonathan Hodgers
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