Networked David Lynch : Critical Perspectives on Cinematic Transmediality
Marcel Hartwig
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Refocus: the Films of Roberta Findlay
Peter Alilunas
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The Encyclopedia of LGBTQIA+ Portrayals in American Film
Erica Joan Dymond
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£102.00
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Secret Cinema and the Immersive Experience Industry
Sarah Atkinson
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Surrealism and Film After 1945 : Absolutely Modern Mysteries
Kristoffer Noheden
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Film Audiences : Personal Journeys with Film
Bridgette Wessels
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Deleuze and Lola Montes
Dr Richard (Lancaster University, UK) Rushton
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Pop Stars on Film : Popular Culture in a Global Market
Dr. Kirsty (Associate Dean: Research and Innovation, Manch Fairclough
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Watership Down : Perspectives On and Beyond Animated Violence
Dr Catherine (University of Birmingham, UK) Lester
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Vivre Ici : Space, Place and Experience in Contemporary French Documentary
Alison (Department of French, University of Virginia J. Murray Levine
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Men, War and Film : The Calling Blighty Films of World War II
Steve Hawley
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Cinema on the Front Line : British Soldiers and Cinema in the First World War
Chris Grosvenor
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Subjective Realist Cinema : From Expressionism to Inception
Matthew Campora
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Screening Art : Modernist Aesthetics and the Socialist Imaginary in East German Cinema
Sean Allan
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Nazism and Neo-Nazism in Film and Media
Jason Lee
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Special Effects on the Screen : Faking the View from Melies to Motion Capture
Martin Lefebvre
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Hungarian Film, 1929-1947 : National Identity, Anti-Semitism and Popular Cinema
Gabor Gergely
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Korean Cinema in Global Contexts : Post-Colonial Phantom, Blockbuster and Trans-Cinema
Soyoung Kim
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Cinema, Culture, Scotland : Selected Essays
Colin McArthur
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The Late and Post-Dictatorship Cinephilia Boom and Art Houses in South Korea
Andrew Jackson
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The Loneliness Room : A Creative Ethnography of Loneliness
Sean Redmond
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Pierrot and His World : Art, Theatricality, and the Marketplace in France, 1697–1945
Marika Takanishi Knowles
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The Non-Professional Actor : Italian Neorealist Cinema and Beyond
Dr. Catherine (Bristol University, UK) O'Rawe
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Prosthetic Agency : Literature, Culture and Masculinity after World War II
Gill (University of St Andrews, Scotland) Plain
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