An Epistemology of Criminological Cinema
David (University of Rijeka, Croatia) Grcki
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Film, Form, and Culture
Robert P. (University of Maryland, USA) Kolker
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Hollywood and China in the Post-postclassical Era
Lara Herring
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The Theological Power of Film
James Lorenz
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Critical Readings on Hammer Horror Films
Fernando Gabriel (Universidad de Buenos Aires, Argentin Pagnoni Berns
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Chinese Films Abroad : Distribution and Translation
Yves Gambier
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Classical Antiquity and the Cinematic Imagination
Martin M. (George Mason University, Virginia) Winkler
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Networked Bollywood : How Star Power Globalized Hindi Cinema
Swapnil (University of Michigan, Ann Arbor) Rai
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The Motorcycle Diaries : Youth, Travel and Politics in Latin America
Nadia (KU Leuven, Belgium) Lie
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Cinemas of the Global South : Towards a Southern Aesthetics
Dilip M Menon
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The Afterlives of Frankenstein : Popular and Artistic Adaptations and Reimaginings
Professor Robert I. (Professor Theatre Arts, University of Mas Lublin
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Babylon Berlin, German Visual Spectacle, and Global Media Culture
Hester (Professor of German and Cinema and Media Studies, Univer Baer
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Bollypolitics : Popular Hindi Cinema and Hindutva
Ajay (Sonoma State University, USA) Gehlawat
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Bob Dylan on Film : The Intersection of Music and Visuals
Jonathan Hodgers
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Ambiguous Cinema : From Simone de Beauvoir to Feminist Film-Phenomenology
Kelli Fuery
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Refocus: The Films of Wallace Fox
Gary D Rhodes
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Theatricality and the Arts : Film, Theatre, Art
Andrew Quick
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Cinema, Culture, Scotland : Selected Essays
Colin McArthur
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Cinema and Machine Vision : Artificial Intelligence, Aesthetics and Spectatorship
Daniel Ch?vez Heras
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The Metamodern Slasher Film
Steve Jones
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Filming Death : End-Of-Life Documentary Cinema
Outi Hakola
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Reimagining Israel and Palestine in Contemporary British and German Culture
Isabelle Hesse
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Refocus: The Films of Lawrence Kasdan
Brett Davies
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New Perspectives on Early Cinema History : Concepts, Approaches, Audiences
Mario (Queen Mary University of London, UK) Slugan
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