The Art of the Filmmaker : The Practical Aesthetics of the Screen
Peter Markham
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Lena Horne : Goddess Reclaimed
Donald Bogle
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Film Genre : The Basics
Barry Keith (Brock University, Canada) Grant
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Refocus: the Films of Susan Seidelman
Susan Kerns
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Refocus: The Films of Alejandro Jodorowsky
Michael Witte
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Refocus: the Films of Wes Craven
Calum Waddell
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Refocus: the Films of Steve Mcqueen
Thomas Austin
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Refocus: the Films of Claire Denis
Peter Sloane
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Diseased Cinema : Plagues, Pandemics and Zombies in American Movies
Robert Alpert
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Filming Death : End-Of-Life Documentary Cinema
Outi Hakola
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Transgressive Art Films : Extremity, Ethics, and Controversial Images of Sex and Violence
Oliver Kenny
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Liminal Noir in Classical World Cinema
Elyce Helford
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The Value Gap : Female-Driven Films from Pitch to Premiere
Courtney Brannon Donoghue
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The Needle and the Lens : Pop Goes to the Movies from Rock 'n' Roll to Synthwave
Nate Patrin
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Poltergeist
Rob McLaughlin
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Ulrike Ottinger : Film, Art and the Ethnographic Imagination
Prof. Angela McRobbie
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Women's Work in Post-war Italy : An Oral and Filmic History
Flora Derounian
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Artificial Women : Sex Dolls, Robot Caregivers, and More Facsimile Females
Julie (SUNY Maritime College) Wosk
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Artificial Women : Sex Dolls, Robot Caregivers, and More Facsimile Females
Julie (SUNY Maritime College) Wosk
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Traveling Auteurs : The Geopolitics of Postwar Italian Cinema
Luca (Concordia University) Caminati
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The Ethnographic Optic : Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema
Laure (Bentley University) Astourian
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The Ethnographic Optic : Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema
Laure (Bentley University) Astourian
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Visions and Victims : Art Melodrama in the Films of Carl Th. Dreyer
Amanda Doxtater
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Resistant Reproductions : Pregnancy and Abortion in British Literature and Film
Fran Bigman
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