Charlie Chaplin’s Modern Times : The Work of Life in the Age of Mechanical Reproducibility
Carl Peters
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Comedy Films 1894–1954
John Montgomery
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Film, Environment, Comedy : Eco-Comedies on the Big Screen
Robin L. (Eastern Illinois University, USA) Murray
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Cinemas of the Global South : Towards a Southern Aesthetics
Dilip M Menon
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Cinemas of the Global South : Towards a Southern Aesthetics
Dilip M Menon
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Dilip M Menon
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Cinema and Surveillance : The Asymmetric Gaze
Martin (Rice University, USA) Blumenthal-Barby
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Cinema and Surveillance : The Asymmetric Gaze
Martin (Rice University, USA) Blumenthal-Barby
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Refocus: the Films of Wallace Fox
Gary D. Rhodes
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Licence to Thrill : A Cultural History of the James Bond Films
James Chapman
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Licence to Thrill : A Cultural History of the James Bond Films
James Chapman
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Designing Russian Cinema : The Production Artist and the Material Environment in Silent Era Film
Eleanor (University College London, UK) Rees
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A Philosophy of Fashion Through Film : On the Body, Style, and Identity
Laura T. Di (William Paterson University, USA) Summa
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Cinematic Modernism and Contemporary Film : Aesthetics and Narrative in the International Art Film
Dr Howard (Queen Mary, University of London, UK) Finn
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Brazilian Cinema and the Aesthetics of Ruins
Guilherme (University of Westminster, London, UK) Carrera
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Amitabh Bachchan As The Other
Shoma A. Chatterji
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Baseball: The Movie
Noah Gittell
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Reanimated : The Contemporary American Horror Remake
Laura Mee
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Looking Beyond Neoliberalism : French and Francophone Belgian Cinema and the Crisis
Martin O'Shaughnessy
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Hollywood Remakes of Iconic British Films : Class, Gender and Stardom
Agnieszka Rasmus
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Towards an Intermedial History of Brazilian Cinema
Lucia Nagib
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