The Persistence of History : Cinema, Television and the Modern Event
Vivian Sobchack
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Hearing Film : Tracking Identifications in Contemporary Hollywood Film Music
Anahid Kassabian
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British Science Fiction Cinema
I.Q. Hunter
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Philosophers Explore The Matrix
Christopher (Assistant Professor of Philosophy, Assistant Profes Grau
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Feminisms : Diversity, Difference and Multiplicity in Contemporary Film Cultures
Laura Mulvey
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Theorizing Documentary
Michael Renov
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The Routledge Companion to Philosophy and Film
Paisley Livingston
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No Country for Old Men : From Novel to Film
Lynnea Chapman King
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Cinema and Spectatorship
Judith Mayne
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British Historical Cinema
Claire Monk
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The Scene of Violence : Cinema, Crime, Affect
Alison Young
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Writing and Cinema
Jonathan Bignell
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Queer Cowboys : And Other Erotic Male Friendships in Nineteenth-Century American Literature
C. Packard
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Beyond Bollywood : The Cultural Politics of South Asian Diasporic Film
Jigna Desai
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Writing History in Film
William (Sonoma State University, USA) Guynn
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Emotion and the Structure of Narrative Film : Film As An Emotion Machine
Ed S. Tan
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Moving Environments : Affect, Emotion, Ecology, and Film
Alexa Weik von Mossner
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Mapping Intermediality in Performance
Andy Lavender
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Cinematic Ethics : Exploring Ethical Experience through Film
Robert Sinnerbrink
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Violence and American Cinema
J. David (New York University) Slocum
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The Making of American Audiences : From Stage to Television, 1750-1990
Richard (Rider University, New Jersey) Butsch
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Screen Tastes : Soap Opera to Satellite Dishes
Charlotte Brunsdon
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Rethinking Third Cinema
Wimal Dissanayake
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Global Scriptwriting
Ken (Tisch School of the Arts, New York University, NY, USA) Dancyger
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