Moving Pictures : A New Theory of Film Genres, Feelings, and Cognition
Torben (Professor of Media Studies, Professor of Media Studies Grodal
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A Companion to Literature and Film
Robert (New York University) Stam
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The Art of Seeing, the Art of Listening : The Politics of Representation in the Work of Jean-Marie Straub and Daniele Huillet
Ursula Boser
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The Colour Fantastic : Chromatic Worlds of Silent Cinema
Giovanna Fossati
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Cinematic Vitalism : Film Theory and the Question of Life
Inga Pollmann
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Redefining Adaptation Studies
Dennis Cutchins
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The Ambivalent Legacy of Elia Kazan : The Politics of the Post-HUAC Films
Ron Briley
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The Tenth Muse : Writing about Cinema in the Modernist Period
Laura (University of Edinburgh) Marcus
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Dreamlands : Immersive Cinema and Art, 1905-2016
Chrissie Iles
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Cinematic Overtures : How to Read Opening Scenes
Annette Insdorf
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(Re)imagining African Independence : Film, Visual Arts and the Fall of the Portuguese Empire
Maria do Carmo Picarra
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Cinema Beyond Film : Media Epistemology in the Modern Era
Maria Tortajada
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Audiences : Defining and Researching Screen Entertainment Reception
Ian Christie
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Dreams and Dead Ends : The American Gangster Film
Jack (Professor of English, Professor of English, University Shadoian
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Embodied Visions : Evolution, Emotion, Culture, and Film
Torben (Professor of Film and Media, Professor of Film and Med Grodal
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Kubrick's 2001 : A Triple Allegory
Leonard F. Wheat
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Scorsese Up Close : A Study of the Films
Ben Nyce
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Hollywood Highbrow : From Entertainment to Art
Shyon Baumann
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When the Moon Waxes Red : Representation, Gender and Cultural Politics
Trinh T. Minh-ha
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Visualizing Theory : Selected Essays from V.A.R., 1990-1994
Lucien Taylor
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Projecting a Camera : Language-Games in Film Theory
Edward Branigan
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East European Cinemas
Aniko Imre
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Phallic Panic
Barbara Creed
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The Horror Film
Peter Hutchings
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