Feminisms : Diversity, Difference and Multiplicity in Contemporary Film Cultures
Laura Mulvey
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Film Genre for the Screenwriter
Jule Selbo
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A Bollywood State of Mind : A journey into the world's biggest cinema
Sunny Singh
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Walter Ruttmann and the Cinema of Multiplicity : Avant-Garde Film - Advertising - Modernity
Michael Cowan
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No Country for Old Men : From Novel to Film
Lynnea Chapman King
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British Historical Cinema
Claire Monk
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Writing and Cinema
Jonathan Bignell
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Directed by Bill Forsyth: Local Hero (1983) : (Scotnotes Study Guides)
David Manderson
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Welcome to the Cheap Seats : Silver Screen Portrayals of the British Working Class
Andrew Graves
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Queer Cowboys : And Other Erotic Male Friendships in Nineteenth-Century American Literature
C. Packard
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British Cinema in Documents
Sarah (University of Bristol, UK) Street
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Writing History in Film
William (Sonoma State University, USA) Guynn
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Mapping Intermediality in Performance
Andy Lavender
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Moving Environments : Affect, Emotion, Ecology, and Film
Alexa Weik von Mossner
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America on Film : Representing Race, Class, Gender, and Sexuality at the Movies
Harry M. (University of North Texas, USA) Benshoff
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Between Categories : The Films of Margaret Tait: Portraits, Poetry, Sound and Place
Sarah Neely
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The Making of American Audiences : From Stage to Television, 1750-1990
Richard (Rider University, New Jersey) Butsch
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Screen Tastes : Soap Opera to Satellite Dishes
Charlotte Brunsdon
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British Queer Cinema
Robin Griffiths
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Global Scriptwriting
Ken (Tisch School of the Arts, New York University, NY, USA) Dancyger
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Image and Territory : Essays on Atom Egoyan
Monique Tschofen
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A Companion to Film Theory
Toby (University of California at Riverside) Miller
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Red Velvet Seat : Women’s Writings on the First Fifty Years of Cinema
Antonia Lant
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The Art of Seeing, the Art of Listening : The Politics of Representation in the Work of Jean-Marie Straub and Daniele Huillet
Ursula Boser
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