She Damn Near Ran the Studio : The Extraordinary Lives of Ida R. Koverman
Jacqueline R. Braitman
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Jose Ferrer : Success and Survival
Mike Peros
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Sterling Hayden’s Wars
Lee Mandel
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The Lost World of DeMille
John Kobal
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The Golden Age Musicals of Darryl F. Zanuck : The Gentleman Preferred Blondes
Bernard F. Dick
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Visions of Avant-Garde Film : Polish Cinematic Experiments from Expressionism to Constructivism
Kamila Kuc
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Feeling Normal : Sexuality and Media Criticism in the Digital Age
F. Hollis Griffin
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Race and the Revolutionary Impulse in The Spook Who Sat by the Door
Michael T. Martin
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The American Midwest in Film and Literature : Nostalgia, Violence, and Regionalism
Adam R. Ochonicky
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I Am Not Your Negro : A Docalogue
Jaimie Baron
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Film Ecology : Defending the Biosphere — Doughnut Economics and Film Theory and Practice
Susan Hayward
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The Commitments : Youth, Music, and Authenticity in 1990s Ireland
Nessa Johnston
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Charlie Chaplin’s Modern Times : The Work of Life in the Age of Mechanical Reproducibility
Carl Peters
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Celluloid Classicism : Early Tamil Cinema and the Making of Modern Bharatanatyam
Hari Krishnan
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Realism and the Birth of the Modern United States : Literature, Cinema and Culture
Stanley Corkin
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Everybody Sing! : Community Singing in the American Picture Palace
Esther M. Morgan-Ellis
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Cinematic Hamlet : The Films of Olivier, Zeffirelli, Branagh, and Almereyda
Patrick J. Cook
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Borderland Films : American Cinema, Mexico, and Canada during the Progressive Era
Dominique Bregent-Heald
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Monstrous Nature : Environment and Horror on the Big Screen
Robin L. Murray
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Picturing Indians : Native Americans in Film, 1941-1960
Liza Black
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Disintegration in Frames : Aesthetics and Ideology in the Yugoslav and Post-Yugoslav Cinema
Pavle Levi
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Visconti : Insights into Flesh and Blood
Alexander Garcia Duttmann
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The Aesthetics of Horror Films : A Santayanan Perspective
Forrest Adam Sopuck
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The Films of Lars von Trier and Philosophy : Provocations and Engagements
Jose A. Haro
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