Liminal Noir in Classical World Cinema
Elyce Helford
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Ulrike Ottinger : Film, Art and the Ethnographic Imagination
Prof. Angela McRobbie
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Remembering Paris in Text and Film
Alistair Rolls
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Defining Cinema : Rouben Mamoulian and Hollywood Film Style, 1929-1957
Michael (Associate Professor, Associate Professor, Wesleyan Un Slowik
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Defining Cinema : Rouben Mamoulian and Hollywood Film Style, 1929-1957
Michael (Associate Professor, Associate Professor, Wesleyan Un Slowik
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Lucas : His Hollywood Legacy
Richard Ravalli
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Lucas : His Hollywood Legacy
Richard Ravalli
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The Ethnographic Optic : Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema
Laure (Bentley University) Astourian
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The Ethnographic Optic : Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema
Laure (Bentley University) Astourian
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Visions and Victims : Art Melodrama in the Films of Carl Th. Dreyer
Amanda Doxtater
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Harun Farocki : Forms of Intelligence
Nora M. Alter
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Harun Farocki : Forms of Intelligence
Nora M. Alter
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Networked Bollywood : How Star Power Globalized Hindi Cinema
Swapnil (University of Michigan, Ann Arbor) Rai
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Hitchcock as Philosopher of the Erotic
Richard (Concordia College, USA) Gilmore
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Refocus: The Films of Agnieszka Holland : Transnational Nomadism
Elzbieta Ostrowska
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Refocus: The Films of Joachim Trier : Moments and Movements
Anne Gjelsvik
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Refocus: The Films of Larisa Shepitko
Lida Oukaderova
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Refocus: The Films of Lawrence Kasdan
Brett Davies
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Beyond Realism : Naturalist Film in Theory and Practice
Robert Singer
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Channel 4 and the British Film Industry, 1982-1998
Laura Mayne
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Politics, Aesthetics and Practice in Moroccan Cinema
Will Higbee
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John Ford's America
Jeffrey Richards
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Surrealism and Film After 1945 : Absolutely Modern Mysteries
Kristoffer Noheden
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The Prison of Time : Stanley Kubrick, Adrian Lyne, Michael Bay and Quentin Tarantino
Elisa Pezzotta
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