The Recording, Mixing, and Mastering Reference Handbook
Karl (Lecturer in Recording & Audio Technology, Lecturer in Pedersen
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Stephane (Lecturer, Lecturer, SAE Institute - Brisbane) Elmosnino
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William Howland (Professor of History, Professor of History, K Kenney
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Christopher M. Reali
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Add to BasketA Most Valuable Medium : The Remediation of Oral Performance on Early Commercial Recordings
Richard Bauman
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Ryan (Independent Scholar) McCormack
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Sam Coley
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Andrew West
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Add to BasketClassical Recording : A Practical Guide in the Decca Tradition
Caroline Haigh
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Add to BasketResearching Live Music : Gigs, Tours, Concerts and Festivals
Chris Anderton
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Martin Clancy
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Add to BasketDistortion in Music Production : The Soul of Sonics
Gary Bromham
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Add to BasketIndian Classical Music and the Gramophone, 1900-1930
Vikram Sampath
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Add to BasketSound Inventions : Selected Articles from Experimental Musical Instruments
Bart Hopkin
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Add to BasketPhonographic Encounters : Mapping Transnational Cultures of Sound, 1890-1945
Elodie A. (University of Newcastle, UK) Roy
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Add to BasketFinding Your Career in the Modern Audio Industry
April Tucker
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Add to BasketAnalyzing Recorded Music : Collected Perspectives on Popular Music Tracks
William Moylan
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Add to BasketThe MIDI Manual : A Practical Guide to MIDI within Modern Music Production
David Miles (Freelance Recording Engineer; Consultant; Contribu Huber
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Rob (Anglia Ruskin University) Toulson
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Add to BasketDesigning Interactions for Music and Sound
Michael (Simon Fraser University, Canada) Filimowicz
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Thomas Brett
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Add to BasketAntonin Dvorak on Records
John H. Yoell
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Add to BasketBasic Musical Library, P Series, 1-1000
Larry Kiner
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Add to BasketDirectory of American Disc Record Brands and Manufacturers, 1891-1943
Allan Sutton
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