Acoustic and MIDI Orchestration for the Contemporary Composer : A Practical Guide to Writing and Sequencing for the Studio Orchestra
Andrea Pejrolo
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Douglas Self
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Richard James (Director of Marketing and Sales, Director of M Burgess
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Rob Papen
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Adrian Moore
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F. Alton Everest
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John Hechtman
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Eoin Devereux
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Add to BasketEarly Recordings and Musical Style : Changing Tastes in Instrumental Performance, 1900-1950
Robert Philip
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Add to BasketRecording Music on Location : Capturing the Live Performance
Bruce Bartlett
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V. J. (Assistant Professor of Music Technology and Perception, Manzo
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Ian (University of Leeds, UK) Sapiro
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Steve (Instructor of Recording Arts, Instructor of Recording A Savage
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Stephane (Lecturer, Lecturer, SAE Institute - Brisbane) Elmosnino
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Samuel Z. (Coordinator of Percussion, Coordinator of Percussi Solomon
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Tim Crich
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Add to BasketRecorded Music in American Life : The Phonograph and Popular Memory, 1890-1945
William Howland (Professor of History, Professor of History, K Kenney
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Add to BasketSound Inventions : Selected Articles from Experimental Musical Instruments
Bart Hopkin
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William Moylan
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Add to BasketDesigning Interactions for Music and Sound
Michael (Simon Fraser University, Canada) Filimowicz
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Clarence Bernard Henry
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Miguel (City University London, UK) Mera
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Add to BasketSound Systems: Design and Optimization : Modern Techniques and Tools for Sound System Design and Alignment
Bob McCarthy
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