One-Track Mind : Capitalism, Technology, and the Art of the Pop Song
Asif Siddiqi
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The Mediations of Music : Critical Approaches after Adorno
Gianmario Borio
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Woodstock University
Oliver (University of British Columbia, Canada) Lovesey
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The Routledge Handbook of Pink Floyd
Chris Hart
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Community-based Traditional Music in Scotland : A Pedagogy of Participation
Josephine L. Miller
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Women in Vinyl : The Art of Making Vinyl
Jenn D’Eugenio
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Paul Weller and Popular Music : Identity, Idiolect and Image
Andrew West
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Rock Music, Authority and Western Culture, 1964-1980
James A. Cosby
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Remaking Culture and Music Spaces : Affects, Infrastructures, Futures
Ian (Syddansk Universitet, Denmark) Woodward
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Women in Rock, Women in Romanticism
James Rovira
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The John Coltrane Reference
Lewis (Rutgers University, USA) Porter
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The Rock History Reader
Theo Cateforis
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Music in the Role-Playing Game : Heroes & Harmonies
William Gibbons
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Popular Music and the Politics of Hope : Queer and Feminist Interventions
Susan Fast
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The Art of Record Production : Creative Practice in the Studio
Simon Zagorski-Thomas
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The Routledge Companion to Music and Human Rights
Julian Fifer
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The Genesis and Structure of the Hungarian Jazz Diaspora
Adam Havas
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Harmonic Development and Contrapuntal Techniques for the Jazz Pianist : An Imaginative Approach
Gary Motley
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Spaces of Puppets in Popular Culture : Grotesque Geographies of the Borderscape
Janet (University of Oxford, UK) Banfield
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You Call That Music?! : Korean Popular Music Through the Generations
Young-mee Lee
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Experiencing Jazz
Richard J. (The University of the Arts, USA) Lawn
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Populism and (Pop) Music
Manuela Caiani
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Record, Mix and Master : A Beginner’s Guide to Audio Production
Simon Duggal
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Peak Music Experiences : A New Perspective on Popular music, Identity and Scenes
Ben Green
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