Beethoven's Conversation Books Volume 2 : Nos. 9 to 16 (March 1820 to September 1820)
Theodore (Person) Albrecht
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Classical Music : Expect the Unexpected
Kent Nagano
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A Performer's Guide to Transcribing, Editing, and Arranging Early Music
Alon (Senior Lecturer in the Department of Music, Senior Lectur Schab
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A History of the Symphony : The Grand Genre
Jeffrey Langford
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Ten Masterpieces of Music
Harvey (Curtis Institute of Music) Sachs
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The Haydn Economy : Music, Aesthetics, and Commerce in the Late Eighteenth Century
Nicholas Mathew
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The Musician as Entrepreneur, 1700-1914 : Managers, Charlatans, and Idealists
William E. Weber
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Brahms and the Principle of Developing Variation
Walter Frisch
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Musical Meaning : Toward a Critical History
Lawrence Kramer
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E. T. A. Hoffmann : Transgressive Romanticism
Christopher R. Clason
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Sound Pedagogy : Radical Care in Music
Colleen Renihan
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Robert Schumann: Piano Concerto
Julian (University of Durham) Horton
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Hensel: String Quartet in E flat
Benedict (University of Edinburgh) Taylor
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Music by Subscription : Composers and their Networks in the British Music-Publishing Trade, 1676–1820
Simon D.I. Fleming
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Robert Schumann: Piano Concerto
Julian (University of Durham) Horton
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Hensel: String Quartet in E flat
Benedict (University of Edinburgh) Taylor
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Opera in the Viennese Home from Mozart to Rossini
Nancy (University of Auckland) November
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Theological Anthropology in Mozart’s La clemenza di Tito : Sin, Grace, and Conversion
Steffen Losel
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The Sound of the English Picturesque : Georgian Vocal Music, Haydn, and Landscape Aesthetics
Stephen Groves
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Orchestra Management in Practice
Salvino A. Salvaggio
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Music, Books and Theatre in Eighteenth-Century Exton : A Context for Handel's ‘Comus’
Colin (University of Birmingham, UK) Timms
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Orchestra Management in Practice
Salvino A. Salvaggio
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The Viennese Ballroom in the Age of Beethoven
Erica (San Jose State University, California) Buurman
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Music, Morality and Social Reform in Nineteenth-Century Britain
Paul Watt
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