The Guitar and its Music : From the Renaissance to the Classical Era
James (, Professor of Music and Director of Early Music Perform Tyler
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Interpreting Mozart : The Performance of His Piano Pieces and Other Compositions
Eva Badura-Skoda
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Elements of Sonata Theory : Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata
James (Professor of Music, Professor of Music, Yale Univers Hepokoski
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A French Song Companion
Graham (, internationally famous accompanist) Johnson
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Classical and Romantic Performing Practice 1750-1900
Clive (Professor of Applied Musicology, Professor of Applied Mu Brown
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The Cantatas of J. S. Bach : With their librettos in German-English parallel text
Alfred (, Honorary doctorates from Baldwin-Wallace College Ohio Durr
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The Letters of Mozart and his Family
Wolfgang Amadeus Mozart
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Classical Form : A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven
William E. (Associate Professor of Music, Associate Professor Caplin
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Giovanni Battista Rubini and the Bel Canto Tenors : History and Technique
Dan H. Marek
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The Birth of the Orchestra : History of an Institution 1650 - 1815
John (Professor and Chair of Music History, Professor and Cha Spitzer
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The Craft of Tonal Counterpoint
Thomas Benjamin
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The Mozart-Da Ponte Operas : The Cultural and Musical Background to Le Nozze di Figaro, Don Giovanni, and Cosi fan tutte
Andrew (Reader in Psychology, Reader in Psychology, Universit Steptoe
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The Great Haydn Quartets : Their Interpretation
Hans Keller
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Authenticity and Early Music : A Symposium
Nicholas (Editor of ^IEarly Music^R, music critic of ^IThe Obs Kenyon
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A Companion to Mozart's Piano Concertos
Arthur (late Professor of MusicUniversities of Durham and E Hutchings
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The Classical Era : Volume 5: From the 1740s to the end of the 18th Century
Professor Neal Zaslaw
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Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition
David (University of Toronto, Canada) Beach
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Nineteenth-Century Choral Music
Donna M. Di Grazia
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Conducting Beethoven: Volume 1: The Symphonies
Norman Del Mar
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Mozart's Symphonies : Context, Performance Practice, Reception
Neal (Professor of Music, Professor of Music, Cornell Universi Zaslaw
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Beethoven and the Creative Process
Barry (Lecturer in Music, Lecturer in Music, Manchester Univer Cooper
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Ludwig van Beethoven : Approaches to his Music
Carl (late Professor of Music, late Professor of Music, Tech Dahlhaus
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Women Musicians of Venice : Musical Foundations, 1525-1855
Jane L. (Honorary Fellow, Women's Studies Research Cen Baldauf-Berdes
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Haydn and the Enlightenment : The Late Symphonies and their Audience
David P. (Associate Professor of Music, Associate Professor Schroeder
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