The Cambridge Companion to Amy Beach
E. Douglas (Elizabethtown College, Pennsylvania) Bomberger
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Vaughan Williams and His World
Byron Adams
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The Oxford History of Western Music: Music in the Seventeenth and Eighteenth Centuries
Richard (Professor of musicology, Professor of musicology, U Taruskin
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Franz Liszt : The Virtuoso Years, 1811–1847
Alan Walker
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Franz Liszt : The Weimar Years, 1848–1861
Alan Walker
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Herbert Von Karajan : A Life in Music
Richard Osborne
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Method for the One-Keyed Flute
Janice Dockendorff Boland
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The Creation of Beethoven's 35 Piano Sonatas
Barry Cooper
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Cursed Questions : On Music and Its Social Practices
Richard Taruskin
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Korngold and His World
Daniel Goldmark
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A History of the Symphony : The Grand Genre
Jeffrey Langford
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A Performer's Guide to Transcribing, Editing, and Arranging Early Music
Alon (Senior Lecturer in the Department of Music, Senior Lectur Schab
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Musical Meaning : Toward a Critical History
Lawrence Kramer
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E. T. A. Hoffmann : Transgressive Romanticism
Christopher R. Clason
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Clara Schumann Studies
Joe Davies
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Music by Subscription : Composers and their Networks in the British Music-Publishing Trade, 1676–1820
Simon D.I. Fleming
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Revisiting the Historiography of Postwar Avant-Garde Music
Anne-Sylvie Barthel-Calvet
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Orchestra Management in Practice
Salvino A. Salvaggio
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Music and the Sonorous Sublime in European Culture, 1680–1880
Sarah (University of Bristol) Hibberd
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Instrumental Music in Late Eighteenth-Century Naples : Politics, Patronage and Artistic Culture
Anthony R. (Georgetown University, Washington DC) DelDonna
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Music and Philosophy in the Roman Empire
Francesco (Universita degli Studi, Pisa) Pelosi
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Beethoven Studies 4
Keith (Cardiff University) Chapin
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The Reception of Bach's Organ Works from Mendelssohn to Brahms
Russell (Professor and College Organist, Professor and Colleg Stinson
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The Viola d’Amore : Its History and Development
Rachael (Edinburgh Napier University, UK) Durkin
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