Music as Cultural Practice, 1800-1900
Lawrence Kramer
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Concert Life in London from Mozart to Haydn
Simon (Goldsmiths, University of London) McVeigh
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Essays on Handel and Italian Opera
Reinhard Strohm
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The Age of Mozart and Beethoven
Giorgio Pestelli
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One Hundred Years of Violoncello : A History of Technique and Performance Practice, 1740-1840
Valerie Walden
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Prelude and Transfiguration from Tristan and Isolde
Richard Wagner
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Peggy Glanville-Hicks : Composer and Critic
Suzanne Robinson
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A Shostakovich Casebook
Malcolm Hamrick Brown
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Sofia Gubaidulina : A Biography
Michael Kurtz
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Water Music : Making Music in the Spas of Europe and North America
Ian Bradley
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Mozart's Requiem : Reception, Work, Completion
Simon P. (University of Sheffield) Keefe
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The Cambridge Haydn Encyclopedia
Caryl (University of Toronto) Clark
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The Century of Bach and Mozart : Perspectives on Historiography, Composition, Theory and Performance
Thomas Forrest Kelly
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Experiencing Mahler : A Listener's Companion
Arved Ashby
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The Annotated Ring Cycle : The Valkyrie (Die Walkure)
Frederick Paul Walter
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Jose Serebrier : Portraits of the Maestro
Michel Faure
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Handel
Romain Rolland
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Schubert's Song Sets
Michael Hall
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The Figure of Music in Nineteenth-Century British Poetry
Phyllis Weliver
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The American Symphony
Neil Butterworth
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Harmony in Beethoven
David (University of Minnesota) Damschroder
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Brahms in Context
Natasha (Royal College of Music, London) Loges
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Performing Operas for Mozart : Impresarios, Singers and Troupes
Ian (Queen's University Belfast) Woodfield
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Liszt and the Symphonic Poem
Joanne (University of Nottingham) Cormac
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