Charles Villiers Stanford: Man and Musician : Revised and Expanded Edition
Jeremy Dibble
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Debussy in Context
Simon (Trinity College Dublin) Trezise
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International Who's Who in Classical Music 2024
Europa Publications
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New Mansions For Music : Performance, Pedagogy and Criticism
Lakshmi Subramanian
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Art Music Activism : Aesthetics and Politics in 1930s New York City
Maria Cristina Fava
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Pasticcio Opera in Britain : History and Context
Peter Morgan Barnes
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The International Who's Who in Classical/Popular Music Set 2024
Europa Publications
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Cognate Music Theories : The Past and the Other in Musicology (Essays in Honor of John Walter Hill)
Ignacio Prats-Arolas
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Orchestra Management : Models and Repertoires for the Symphony Orchestra
Arne Herman
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Opera Outside the Box : Notions of Opera in Nineteenth-Century Britain
Roberta Montemorra (University of Massachusetts, USA) Marvin
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Women in Rock, Women in Romanticism
James Rovira
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Topics in Musical Interpretation
Sezi (Bucknell University, USA) Seskir
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Wagner in Context
David (University of Cambridge) Trippett
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Tales from the Symphony : Perspectives from African American Musicians
Robert Lee Watt
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A French Song Companion
Graham (, internationally famous accompanist) Johnson
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The Guitar and its Music : From the Renaissance to the Classical Era
James (, Professor of Music and Director of Early Music Perform Tyler
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Interpreting Mozart : The Performance of His Piano Pieces and Other Compositions
Eva Badura-Skoda
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The Art of Partimento : History, Theory, and Practice
Giorgio (Associate Professor of Music Theory, Associate P Sanguinetti
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Daniels' Orchestral Music
David Daniels
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Music in the Galant Style
Robert (Professor of Music, School of Music, Professor of Gjerdingen
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Beethoven's Conversation Books Volume 2 : Nos. 9 to 16 (March 1820 to September 1820)
Theodore (Person) Albrecht
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A History of the Symphony : The Grand Genre
Jeffrey Langford
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Music in Golden-Age Florence, 1250-1750 : From the Priorate of the Guilds to the End of the Medici Grand Duchy
Anthony M. Cummings
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Music, Books and Theatre in Eighteenth-Century Exton : A Context for Handel's ‘Comus’
Colin (University of Birmingham, UK) Timms
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