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Morality and Viennese Opera in the Age of Mozart and Beethoven
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Cultural Histories of Noise, Sound and Listening in Europe, 1300-1918
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Disinformation in Mass Media : Gluck, Piccinni and the Journal de Paris
Beverly Jerold
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The Routledge Research Companion to Johann Sebastian Bach
Robin Leaver
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The Music Profession in Britain, 1780-1920 : New Perspectives on Status and Identity
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Charles Avison in Context : National and International Musical Links in Eighteenth-Century North-East England
Roz Southey
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The Mystery of Chopin's Preludes
Anatole Leikin
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Teaching Music History with Cases : A Teacher's Guide
Sara Haefeli
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Beethoven’s Dedications : Stories Behind the Tributes
Artur Pereira
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Hearing Form : Musical Analysis With and Without the Score
Matthew (Texas Tech University, USA) Santa
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Anthology for Hearing Form : Musical Analysis With and Without the Score
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Music for a Mixed Taste : Style, Genre, and Meaning in Telemann's Instrumental Works
Steven (Laura H. Carnell Professor of Music History, Laura H. Ca Zohn
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In the Process of Becoming : Analytic and Philosophical Perspectives on Form in Early Nineteenth-Century Music
Janet (Professor of Music, Professor of Music, Tufts Univ Schmalfeldt
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Rethinking Schubert
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Beethoven 1806
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Cultivating Music : The Aspirations, Interests, and Limits of German Musical Culture, 1770-1848
David Gramit
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Sovereign Feminine : Music and Gender in Eighteenth-Century Germany
Matthew Head
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Wagner Nights : An American History Volume 9
Joseph Horowitz
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Bach Studies
Don O. Franklin
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Mozart: Piano Concertos Nos. 20 and 21
David (University of Minnesota) Grayson
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Chromatic Transformations in Nineteenth-Century Music
David Kopp
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Bach Perspectives, Volume 5 : Bach in America
Stephen A. Crist
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