Treacherous Bonds and Laughing Fire: Politics and Religion in Wagner's Ring
Mark Berry
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Kickstarting Italian Opera in the Andes : The 1840s and the First Opera Companies
Jose Manuel (Pontificia Universidad Catolica de Chile Izquierdo Konig
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The Operas of Rameau : Genesis, Staging, Reception
Graham Sadler
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The Consolations of History: Themes of Progress and Potential in Richard Wagner’s Gotterdammerung
Alexander Shapiro
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Opera on the Couch : Music, Emotional Life, and Unconscious Aspects of Mind
Steven H. Goldberg
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The Opera Singer and the Silent Film
Paul Fryer
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Richard Wagner and the Jews
Milton E. Brener
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Richard Strauss in Context
Morten Kristiansen
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Le Chant Intime : The interpretation of French melodie
Francois (Vocal studies faculty member, Vocal studies faculty Le Roux
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Aesthetics of Opera in the Ancien Regime, 1647-1785
Downing A. (University of Iowa) Thomas
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The Beginner’s Guide to Opera Stage Management : Gathering the Tools You Need to Work in Opera
Danielle Ranno
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D’Oyly Carte : The Decline and Fall of an Opera Company
Paul Seeley
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Medievalism and Nationalism in German Opera : Euryanthe to Lohengrin
Michael S., M.D. Richardson
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Opera in Performance : Analyzing the Performative Dimension of Opera Productions
Clemens Risi
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Victorian Vocalists
Kurt Ganzl
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Ariane & Bluebeard : From Fairy Tale to Comic Book Opera
Matthew G. Brown
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Music Direction for the Stage : A View from the Podium
Joseph (Instructor in Musical Theater, Instructor in Musical T Church
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Musik an Den Welfenhoefen
Musikwissenschaftliches Institut
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The Book of the Teatro Real
Mario Vargas Llosa
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