Screening the Operatic Stage : Television and Beyond
Christopher Morris
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The Cambridge Companion to The Magic Flute
Jessica (College of the Holy Cross, Massachusetts) Waldoff
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Bill Viola : Love/Death - The Tristan Project
Peter Sellars
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Wagner's Theatre : In Search of a Legacy
Patrick Carnegy
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The Operetta Empire : Music Theater in Early Twentieth-Century Vienna
Micaela Baranello
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Picture a day like this (First Edition Vocal Score)
George Benjamin
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Screening the Operatic Stage : Television and Beyond
Morris Christopher Morris
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Opera as Art : Philosophical Sketches
Paul Thom
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Opera for Everyone : The Industry's Experiments with American Opera in the Digital Age
Megan Steigerwald Ille
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Women in Nineteenth-Century Czech Musical Culture : Apostles of a Brighter Future
Anja Bunzel
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Women in Nineteenth-Century Czech Musical Culture : Apostles of a Brighter Future
Anja Bunzel
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Italian Opera in Global and Transnational Perspective : Reimagining Italianita in the Long Nineteenth Century
Axel (University College London) Korner
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Liyuanxi - Chinese 'Pear Garden Theatre'
Josh (University of Sydney, Australia) Stenberg
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English and German Diction for Singers : A Comparative Approach
Amanda Johnston
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Wagnerism : Art and Politics in the Shadow of Music
Alex Ross
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The Gilded Stage : A Social History of Opera
Daniel Snowman
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The Opera Lover’s Companion
Charles Osborne
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My Beloved Man : The Letters of Benjamin Britten and Peter Pears
Vicki (Customer) Vicki Stroeher
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The Wagner Operas
Ernest Newman
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Opera's Second Death
Slavoj Zizek
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