Opera Outside the Box : Notions of Opera in Nineteenth-Century Britain
Roberta Montemorra (University of Massachusetts, USA) Marvin
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Said on Opera
Edward (c/o The Wylie Agency) Said
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Curtain, Gong, Steam : Wagnerian Technologies of Nineteenth-Century Opera
Gundula Kreuzer
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Chalet Monet : Inside the Home of Dame Joan Sutherland and Richard Bonynge
Richard Bonynge
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Inventing the Opera House : Theater Architecture in Renaissance and Baroque Italy
Eugene J. (Williams College, Massachusetts) Johnson
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Omnis Temporalis : A Visual Long-Playing Record
Seth
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Acting for Singers : Creating Believable Singing Characters
David F. (, Bay Area Summer Opera Theater Institute) Ostwald
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Theological Anthropology in Mozart’s La clemenza di Tito : Sin, Grace, and Conversion
Steffen Losel
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Music, Books and Theatre in Eighteenth-Century Exton : A Context for Handel's ‘Comus’
Colin (University of Birmingham, UK) Timms
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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Digital Scenography in Opera in the Twenty-First Century
Caitlin Vincent
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Dramaturgies of Love in Romeo and Juliet : Word, Music, and Dance
Jonas Kellermann
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The Operas of Rameau : Genesis, Staging, Reception
Graham Sadler
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The Original Portrayal of Mozart’s Don Giovanni
Magnus Tessing Schneider
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Richard Wagner : The Last of the Titans
Joachim Kohler
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A Short History of Opera
Donald Grout
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Rossini : His Life and Works
Richard Osborne
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The Opera Singer's Career Guide : Understanding the European Fach System
Pearl Yeadon McGinnis
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Wagner Beyond Good and Evil
John Deathridge
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A History of Bel Canto
Rodolfo Celletti
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Drama and the World of Richard Wagner
Dieter Borchmeyer
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Beyond Reason : Wagner contra Nietzsche
Karol Berger
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From the Score to the Stage : An Illustrated History of Continental Opera Production and Staging
Evan Baker
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Waiting for Verdi : Opera and Political Opinion in Nineteenth-Century Italy, 1815-1848
Mary Ann Smart
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