The Mozart-Da Ponte Operas : An Annotated Bibliography
Mary Du Mont
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The Shuberts and Their Passing Shows : The Untold Tale of Ziegfeld's Rivals
Jonas (Freelance Writer, Freelance Writer) Westover
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Henry Purcell's Dido and Aeneas
Ellen (Class of 1949 Professor Emeritus, Class of 1949 Profess Harris
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Wagner's Parsifal
William (Professor of Musicology, Professor of Musicology, Kinderman
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Recognition in Mozart's Operas
Jessica (Assistant Professor of Music, Assistant Professor of Waldoff
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The Tragic and the Ecstatic : The Musical Revolution of Wagner's Tristan und Isolde
Eric (Professor, Professor, Brandeis University) Chafe
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Tin Pan Opera : Operatic Novelty Songs in the Ragtime Era
Larry (Assistant Professor of Music, Assistant Professor of Hamberlin
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Musical Symbolism in the Operas of Debussy and Bartok : Trauma, Gender, and the Unfolding of the Unconscious
Elliot Antokoletz
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Carmen and the Staging of Spain : Recasting Bizet's Opera in the Belle Epoque
Michael (Lecturer in Music, Lecturer in Music, Univers Christoforidis
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Masque and Opera in England, 1656-1688
Andrew Walkling
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Morality and Viennese Opera in the Age of Mozart and Beethoven
Martin Nedbal
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French Baroque Opera: A Reader : Revised Edition
Caroline Wood
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Arthur Sullivan : A Musical Reappraisal
Benedict Taylor
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National Identity in Contemporary Australian Opera : Myths Reconsidered
Michael Halliwell
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Paul Bekker's Musical Ethics
Nanette Nielsen
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The Pre-history of ‘The Midsummer Marriage’ : Narratives and Speculations
Roger Savage
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Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London
Cheryll Duncan
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Disinformation in Mass Media : Gluck, Piccinni and the Journal de Paris
Beverly Jerold
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Building a Career in Opera from School to Stage: Operapreneurship : CMS Emerging Fields in Music
James Harrington
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Beethoven and the Lyric Impulse : Essays on Beethoven Song
Amanda Glauert
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Contextualizing Melodrama in the Czech Lands : In Concert and on Stage
Judith Mabary
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Recomposing the Past: Representations of Early Music on Stage and Screen
James Cook
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The Business of Opera
Anastasia Belina-Johnson
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Opera in a Multicultural World : Coloniality, Culture, Performance
Mary Ingraham
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