Screening the Operatic Stage : Television and Beyond
Christopher Morris
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The Cambridge Companion to The Magic Flute
Jessica (College of the Holy Cross, Massachusetts) Waldoff
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The Pipe Organ : A Composer's Guide
James (Sub-Organist, Sub-Organist, Gloucester Cathedral) Mitchell
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Vaughan Williams and His World
Byron Adams
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The Cambridge Companion to Amy Beach
E. Douglas (Elizabethtown College, Pennsylvania) Bomberger
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Picture a day like this (First Edition Vocal Score)
George Benjamin
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The Operetta Empire : Music Theater in Early Twentieth-Century Vienna
Micaela Baranello
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Jazz Migrations : Movement as Place Among New York Musicians
Ofer (Senior Lecturer in Music, Senior Lecturer in Music, Tel A Gazit
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Commentaries on the Cantatas of Johann Sebastian Bach : A Selective Guide
Hans-Joachim Schulze
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Film Music Analysis : Studying the Score
Frank Lehman
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The Symphony in Australia, 1960-2020
Rhoderick McNeill
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The Technique of Orchestration Workbook
Kent Kennan
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The Ring of Words : An Anthology of Song Texts
Philip Lieson Miller
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Seven Verdi Librettos
Giuseppe Verdi
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The Viennese Waltz : Decadence and the Decline of Austria’s Unconscious
Danielle Hood
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Choral Treatises and Singing Societies in the Romantic Age
David Friddle
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Sing Romantic Music Romantically : Nineteenth-Century Choral Performance Practices
David Friddle
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Opera as Art : Philosophical Sketches
Paul Thom
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Sergei Rachmaninoff : Cross Rhythms of the Soul
Valeria Z. Nollan
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Opera for Everyone : The Industry's Experiments with American Opera in the Digital Age
Megan Steigerwald Ille
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War and Death in the Music of George Crumb : A Crisis of Collective Memory
Abigail Shupe
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The Mediations of Music : Critical Approaches after Adorno
Gianmario Borio
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Italian Opera in Global and Transnational Perspective : Reimagining Italianita in the Long Nineteenth Century
Axel (University College London) Korner
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Opera Outside the Box : Notions of Opera in Nineteenth-Century Britain
Roberta Montemorra (University of Massachusetts, USA) Marvin
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