dots on paper : Philip Glass by Andreas H. Bitesnich
Andreas H. Bitesnich
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Picture a day like this (Limited Edition Full Score)
George Benjamin
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The Planets: facsimile edition
Gustav Holst
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The Choice of Odysseus : Homeric Ethics in Renaissance Epic and Opera
Dr Sarah (Indiana University) Van der Laan
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Film Music Analysis : Studying the Score
Frank Lehman
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The Technique of Orchestration
Kent Kennan
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The Technique of Orchestration
Kent Kennan
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The Technique of Orchestration Workbook
Kent Kennan
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Screening the Operatic Stage : Television and Beyond
Christopher Morris
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Sound Pedagogy : Radical Care in Music
Colleen Renihan
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Art Music Activism : Aesthetics and Politics in 1930s New York City
Maria Cristina Fava
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The World Got Away : A Memoir
Mikel Rouse
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Commentaries on the Cantatas of Johann Sebastian Bach : A Selective Guide
Hans-Joachim Schulze
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The Oxford Handbook of the Phenomenology of Music Cultures
Harris M. (Canada Research Chair in Ethnomusicology and Direct Berger
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Cognate Music Theories : The Past and the Other in Musicology (Essays in Honor of John Walter Hill)
Ignacio Prats-Arolas
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The Media of Secular Music in the Medieval and Early Modern Period (1100–1650)
Vincenzo Borghetti
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Women in Nineteenth-Century Czech Musical Culture : Apostles of a Brighter Future
Anja Bunzel
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Decolonising and Indigenising Music Education : First Peoples Leading Research and Practice
Te Oti Rakena
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History as Fantasy in Music, Sound, Image, and Media
James (Edinburgh University) Cook
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Perspectives on Conducting
Roisin Blunnie
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John Zorn’s File Card Works : Hypertextual Intermediality in Composition and Analysis
Maurice Windleburn
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Resurrecting Song : A Pathway Forward for the Choral Art in the Time of Pandemics
Wendy K. Moy
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Tradition, Community, and Nationhood in Richard Wagner’s 'Die Meistersinger von Nurnberg'
Christopher Kimbell
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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