Opera for Everyone : The Industry's Experiments with American Opera in the Digital Age
Megan Steigerwald Ille
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Bjorn (University of Glasgow) Heile
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James (Edinburgh University) Cook
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Roisin Blunnie
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Ingrid Maren Furniss
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Wendy K. Moy
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Add to BasketTradition, Community, and Nationhood in Richard Wagner’s 'Die Meistersinger von Nurnberg'
Christopher Kimbell
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Rachel N. Becker
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Add to BasketNavigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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Add to BasketDebussy in Context
Simon (Trinity College Dublin) Trezise
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Add to BasketVaughan Williams in Context
Julian (West Chester University, Pennsylvania) Onderdonk
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Add to BasketLeonard Bernstein in Context
Elizabeth A. (Mount Allison University, Canada) Wells
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Add to BasketGrowing Your Choral Program : A Practical Guide for New Directors
Nicolas Alberto Dosman
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Add to BasketEnglish and German Diction for Singers : A Comparative Approach
Amanda Johnston
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Pre-OrderTales from the Symphony : Perspectives from African American Musicians
Robert Lee Watt
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Add to BasketPasticcio Opera in Britain : History and Context
Peter Morgan Barnes
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Pre-OrderThe Sound of Difference : Race, Class and the Politics of 'Diversity' in Classical Music
Kristina Kolbe
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Pre-OrderLiszt Recomposed : Exploring Intertextual Fluidity in Song
Nicolas Puyane
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Add to BasketTransitions in Mid-Baroque Music : Style, Genre and Performance
Carrie Churnside
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Add to BasketBritten's Gods : Purcell, Bach, Mozart, Schubert, Verdi, Mahler
Sterling Lambert
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Add to BasketThe Reminiscences and Selected Criticism of Herbert Thompson
Michael Allis
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Jennifer Thorp
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Add to BasketAutobiographical Recollections of Charles-Marie Widor
John R (Royalty Account) Near
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Add to BasketNarrative and Robert Schumann’s Songs : A New Approach to the Romantic Lied
Dr. Andrew H. (Contributor) Weaver
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