The Songs of Jean Sibelius : Poetry, Music, Performance
Gustav Djupsjobacka
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Mapping Medea : Revolutions and Transfers 1750-1800
Anna (Professor of Literature, Professor of Literature, St Albrektson
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Circle of Winners : How the Guggenheim Foundation Composition Awards Shaped American Music Culture
Denise Von Glahn
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Robert Schumann: Piano Concerto
Julian (University of Durham) Horton
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Hensel: String Quartet in E flat
Benedict (University of Edinburgh) Taylor
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Elisabeth Lutyens and Edward Clark : The Orchestration of Progress in British Twentieth-Century Music
Annika (Royal Northern College of Music, Manchester) Forkert
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Studies on Authorship in Historical Keyboard Music
Andrew Woolley
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The Sound of the English Picturesque : Georgian Vocal Music, Haydn, and Landscape Aesthetics
Stephen Groves
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Orchestra Management in Practice
Salvino A. Salvaggio
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The Cambridge Companion to Amy Beach
E. Douglas (Elizabethtown College, Pennsylvania) Bomberger
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Bach's St. John Passion for the Twenty-First Century : Musical and Theological Perspectives
Michael Fuchs
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Josef Hofmann : The Piano’s Forgotten Giant
Elizabeth Carr
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Music, Morality and Social Reform in Nineteenth-Century Britain
Paul Watt
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Effects of Opera Music from Brain to Body : A Matter of Wellbeing
Lorenzo Lorusso
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Classical Music and Opera During and After the COVID-19 Pandemic : Empirical Research on the Digital Transformation of Socio-cultural Institutions and Aesthetic Forms
Steffen Lepa
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Classical and Romantic Performing Practice 1750-1900
Clive (Professor of Applied Musicology, Professor of Applied Mu Brown
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The Cantatas of J. S. Bach : With their librettos in German-English parallel text
Alfred (, Honorary doctorates from Baldwin-Wallace College Ohio Durr
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The Letters of Mozart and his Family
Wolfgang Amadeus Mozart
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Interpreting Mozart : The Performance of His Piano Pieces and Other Compositions
Eva Badura-Skoda
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Classical Form : A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven
William E. (Associate Professor of Music, Associate Professor Caplin
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Giovanni Battista Rubini and the Bel Canto Tenors : History and Technique
Dan H. Marek
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The Mozart-Da Ponte Operas : The Cultural and Musical Background to Le Nozze di Figaro, Don Giovanni, and Cosi fan tutte
Andrew (Reader in Psychology, Reader in Psychology, Universit Steptoe
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The Birth of the Orchestra : History of an Institution 1650 - 1815
John (Professor and Chair of Music History, Professor and Cha Spitzer
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Music at German Courts, 1715-1760 : Changing Artistic Priorities
Samantha Owens
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