The Symphonic Repertoire, Volume III Part A : The European Symphony from ca. 1800 to ca. 1930: Germany and the Nordic Countries
A. Peter Brown
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The Symphonic Repertoire, Volume III, Part B : The European Symphony from ca. 1800 to ca. 1930: Great Britain, Russia, and France
A. Peter Brown
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Interpreting Mozart : The Performance of His Piano Pieces and Other Compositions
Eva Badura-Skoda
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Bach's Works for Solo Violin : Style, Structure, Performance
Joel (Dean, Dean, Mannes College of Music) Lester
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The Routledge Research Companion to Johann Sebastian Bach
Robin Leaver
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Bach's Numbers : Compositional Proportion and Significance
Ruth Tatlow
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Mozart in Context
Simon P. (University of Sheffield) Keefe
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Sorabji: A Critical Celebration
Paul Rapoport
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Mozart's Piano Concertos
John Irving
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Understanding Mozart's Piano Sonatas
John Irving
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Mozart and Enlightenment Semiotics
Stephen Rumph
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Mozart's Requiem : Reception, Work, Completion
Simon P. (University of Sheffield) Keefe
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The Cambridge History of Nineteenth-Century Music
Jim (Royal Holloway, University of London) Samson
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Engaging Bach : The Keyboard Legacy from Marpurg to Mendelssohn
Matthew (University of Houston) Dirst
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The Cambridge Mozart Encyclopedia
Cliff (King's College London) Eisen
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Our Schubert : His Enduring Legacy
David Schroeder
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The Music of Carl Philipp Emanuel Bach
Professor David (Customer) Schulenberg
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Music in Eighteenth-Century Britain
David Wyn Jones
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The Advancement of Music in Enlightenment England : Benjamin Cooke and the Academy of Ancient Music
Tim Eggington
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Richard Wagner's Beethoven (1870) : A New Translation
Roger (Royalty Account) Allen
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Musicians of Bath and Beyond: Edward Loder (1809-1865) and his Family
Nicholas (Customer) Nicholas Temperley
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Schumann
Roe-Min Kok
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The Solfeggio Tradition : A Forgotten Art of Melody in the Long Eighteenth Century
Nicholas (Associate Professor of Music, Associate Profess Baragwanath
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Genealogies of Music and Memory : Gluck in the 19th-Century Parisian Imagination
Mark (Professor of Music, Professor of Music, University of S Everist
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