Music in the Galant Style
Robert (Professor of Music, School of Music, Professor of Gjerdingen
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Understanding the Leitmotif : From Wagner to Hollywood Film Music
Matthew (University of Minnesota) Bribitzer-Stull
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Rachmaninoff: Composer, Pianist, Conductor
Barrie Martyn
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Gerald Finzi's Letters, 1915-1956
Diana McVeagh
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George Frideric Handel: Volume 4, 1742-1750 : Collected Documents
Donald (The Open University, Milton Keynes) Burrows
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Choral Voices : Ethnographic Imaginations of Sound and Sacrality
Sebanti (Adjunct Faculty, Sociology and Social Work, Natio Chatterjee
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New Perspectives on Handel's Music : Essays in Honour of Donald Burrows
David (Royalty Account) Vickers
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Literary Britten : Words and Music in Benjamin Britten's Vocal Works
Kate Kennedy
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Demystifying Scriabin
Vasilis Kallis
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Women and Music in Ireland
Laura Watson
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Queer Opera
Andrew Sutherland
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The Motet in the Late Middle Ages
Margaret (Emeritus Fellow, Emeritus Fellow, All Souls College, O Bent
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The Oxford Handbook of Jewish Music Studies
Tina (Executive Director, Executive Director, Repertoire Inte Fruhauf
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Sounds, Ecologies, Musics
Aaron S. (Associate Professor of Musicology, Associate Professo Allen
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Music and Citizenship
Martin (Ethnomusicologist, Ethnomusicologist) Stokes
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Shostakovich's Symphony No. 5
Marina (Professor of Music History, Professor of Music Frolova-Walker
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The Pipe Organ : A Composer's Guide
James (Sub-Organist, Sub-Organist, Gloucester Cathedral) Mitchell
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The Afterlife of Bach's Organ Works : Their Reception from the Nineteenth Century to the Present
Russell (Emeritus Professor of Music, Emeritus Professor of M Stinson
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From Modes to Keys in Early Modern Music Theory
Michael R. (Associate Professor, Associate Professor, Universit Dodds
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Aaron Copland in Latin America : Music and Cultural Politics
Carol A. Hess
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Rape at the Opera : Staging Sexual Violence
Margaret Cormier
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Latin America and the Transports of Opera : Fragments of a Transatlantic Discourse
Roberto Ignacio Diaz
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String Virtuosi in Eighteenth-Century Naples : Culture, Power, and Music Institutions
Guido (University of Texas, Austin) Olivieri
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Gerard Grisey and Spectral Music : Composition in the Information Age
Liam (BIMM University) Cagney
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