The Cambridge Mozart Encyclopedia
Cliff (King's College London) Eisen
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Harrison Birtwistle's Operas and Music Theatre
David (Cardiff University) Beard
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Puccini : His International Art
Michele Girardi
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Dance and Drama in French Baroque Opera : A History
Rebecca (Cornell University, New York) Harris-Warrick
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The Cambridge Stravinsky Encyclopedia
Edward (University of Aberdeen) Campbell
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Richard Strauss in Context
Morten Kristiansen
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Music and the Exotic from the Renaissance to Mozart
Ralph P. Locke
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Gustav Mahler's Symphonic Landscapes
Thomas (Boston University) Peattie
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Narratives of Identity in Alban Berg's "Lulu"
Silvio (Royalty Account) dos Santos
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Gyorgy Ligeti's Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque
Peter (University of Oslo, Norway) Edwards
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French Baroque Opera: A Reader : Revised Edition
Caroline Wood
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Mozart's Cosi fan tutte : A Compositional History
Ian Woodfield
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After Wagner : Histories of Modernist Music Drama from Parsifal to Nono
Mark Berry
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Creating Der Rosenkavalier : From Chevalier to Cavalier
Michael Reynolds
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Opera North : Historical and Dramaturgical Perspectives on Opera Studies
Kara McKechnie
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Rusalka : A Performance Guide with Translations and Pronunciation
Timothy Cheek
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Opera Coaching : Professional Techniques for the Repetiteur
Alan Montgomery
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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Curating Opera : Reinventing the Past Through Museums of Opera and Art
Stephen Mould
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Opera, Emotion, and the Antipodes Volume I : Historical Perspectives: Creating the Metropolis; Delineating the Other
Jane Davidson
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Opera, Emotion, and the Antipodes Volume II : Applied Perspectives: Compositions and Performances
Jane Davidson
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Contextualizing Melodrama in the Czech Lands : In Concert and on Stage
Judith Mabary
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The Beginner’s Guide to Opera Stage Management : Gathering the Tools You Need to Work in Opera
Danielle Ranno
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Digital Scenography in Opera in the Twenty-First Century
Caitlin Vincent
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