Britten's Unquiet Pasts : Sound and Memory in Postwar Reconstruction
Heather (University of Virginia) Wiebe
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Technology and the Diva : Sopranos, Opera, and Media from Romanticism to the Digital Age
Karen (City University of New York) Henson
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Situating Opera : Period, Genre, Reception
Herbert (Stanford University, California) Lindenberger
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Wagner and Aeschylus: The Ring and the Oresteia
Michael Ewans
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Gretry and the Growth of Opera-comique
David Charlton
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North German Opera in the Age of Goethe
Thomas Bauman
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Opera in Portugal in the Eighteenth Century
Manuel Carlos De Brito
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Modest Musorgsky and Boris Godunov : Myths, Realities, Reconsiderations
Caryl (Princeton University, New Jersey) Emerson
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Wagner's Musical Prose : Texts and Contexts
Thomas S. (Stanford University, California) Grey
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Wagner and Russia
Rosamund (University of Michigan, Ann Arbor) Bartlett
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Richard Wagner: Die Meistersinger von Nurnberg
John Warrack
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Haydn's Jews : Representation and Reception on the Operatic Stage
Caryl (University of Toronto) Clark
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Opera and the Enlightenment
Thomas (Northwestern University, Illinois) Bauman
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Vincenzo Bellini: Norma
David R. B. (University of Edinburgh) Kimbell
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Wagner's Ring Cycle and the Greeks
Daniel H. (Duke University, North Carolina) Foster
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Verdi and the Germans : From Unification to the Third Reich
Gundula (Yale University, Connecticut) Kreuzer
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Opera Buffa in Mozart's Vienna
Mary (Bowdoin College, Maine) Hunter
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Opera, Liberalism, and Antisemitism in Nineteenth-Century France : The Politics of Halevy's La Juive
Diana R. (University of Kentucky) Hallman
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The Cambridge Companion to Twentieth-Century Opera
Mervyn (University of Nottingham) Cooke
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Aesthetics of Opera in the Ancien Regime, 1647-1785
Downing A. (University of Iowa) Thomas
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Reading Opera between the Lines : Orchestral Interludes and Cultural Meaning from Wagner to Berg
Christopher (University College Cork) Morris
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Wagner and the Romantic Hero
Simon (University of California, Santa Barbara) Williams
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The Cambridge Companion to Seventeenth-Century Opera
Jacqueline (Duke University, North Carolina) Waeber
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Landscape and Gender in Italian Opera : The Alpine Virgin from Bellini to Puccini
Emanuele (University of Oxford) Senici
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