Women, Music, Culture : An Introduction
Julie C. (Edgewood College, USA) Dunbar
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The Planets: facsimile edition
Gustav Holst
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Bruckner's Symphonies : Analysis, Reception and Cultural Politics
Julian (University College Dublin) Horton
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New Perspectives on Handel's Music : Essays in Honour of Donald Burrows
David (Royalty Account) Vickers
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Romantic Violin Performing Practices : A Handbook
David (Author) Milsom
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Demystifying Scriabin
Vasilis Kallis
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Women and Music in Ireland
Laura Watson
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Queer Opera
Andrew Sutherland
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George Frideric Handel: Volume 4, 1742-1750 : Collected Documents
Donald (The Open University, Milton Keynes) Burrows
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Choral Voices : Ethnographic Imaginations of Sound and Sacrality
Sebanti (Adjunct Faculty, Sociology and Social Work, Natio Chatterjee
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Parlar cantando : The practice of reciting verses in Italy from 1300 to 1600
Elena Abramov van Rijk
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Music, the Market, and the Marvellous : Parisian Feerie, 1864-1900
Tommaso (Marie Sklodowska-Curie Global Postdoctoral Fellow, Sabbatini
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Classical and Romantic Performing Practice
Clive (Emeritus Professor of Applied Musicology, Emeritus Profe Brown
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The Oxford Handbook of Community Singing
Esther M. (Associate Professor of Music History, Associa Morgan-Ellis
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Voice, Slavery, and Race in Seventeenth-Century Florence
Emily (Associate Professor of Musicology, Associate Profess Wilbourne
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Transforming Choral Singing : An Activist's Guide for Choir Directors
Charles W. (Artistic Director, Artistic Director, San Diego Gay Beale
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Jazz Migrations : Movement as Place Among New York Musicians
Ofer (Senior Lecturer in Music, Senior Lecturer in Music, Tel A Gazit
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Film Music Analysis : Studying the Score
Frank Lehman
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The Technique of Orchestration
Kent Kennan
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The Technique of Orchestration
Kent Kennan
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The Technique of Orchestration Workbook
Kent Kennan
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Autobiographical Recollections of Charles-Marie Widor
John R (Royalty Account) Near
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Narrative and Robert Schumann’s Songs : A New Approach to the Romantic Lied
Dr. Andrew H. (Contributor) Weaver
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The Musical Relationship between Claude Debussy and Igor Stravinsky
Professor Mark McFarland
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