Screening the Operatic Stage : Television and Beyond
Christopher Morris
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Berlioz and His World
Francesca Brittan
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Musical Modernism in Global Perspective : Entangled Histories on a Shared Planet
Bjorn (University of Glasgow) Heile
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The Media of Secular Music in the Medieval and Early Modern Period (1100–1650)
Vincenzo Borghetti
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Music, Piety, and Political Power in 17th Century Salzburg : The Sounds of Good Government
Kimberly Beck Hieb
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History as Fantasy in Music, Sound, Image, and Media
James (Edinburgh University) Cook
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Perspectives on Conducting
Roisin Blunnie
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Lutes and Marginality in Pre-Modern China : Art History, Archaeology, and Music Iconography
Ingrid Maren Furniss
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Resurrecting Song : A Pathway Forward for the Choral Art in the Time of Pandemics
Wendy K. Moy
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Tradition, Community, and Nationhood in Richard Wagner’s 'Die Meistersinger von Nurnberg'
Christopher Kimbell
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Navigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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Studies in Music, Words, and Imagery in Early Modern Europe
Barbara Russano Hanning
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Debussy in Context
Simon (Trinity College Dublin) Trezise
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Vaughan Williams in Context
Julian (West Chester University, Pennsylvania) Onderdonk
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Leonard Bernstein in Context
Elizabeth A. (Mount Allison University, Canada) Wells
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Britten's Gods : Purcell, Bach, Mozart, Schubert, Verdi, Mahler
Sterling Lambert
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The Reminiscences and Selected Criticism of Herbert Thompson
Michael Allis
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The Gentleman Dancing-Master : Mr Isaac and the English Royal Court from Charles II to Queen Anne
Jennifer Thorp
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Pasticcio Opera in Britain : History and Context
Peter Morgan Barnes
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The Sound of Difference : Race, Class and the Politics of 'Diversity' in Classical Music
Kristina Kolbe
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The Nurse in History and Opera: From Servant to Sister
Judith Barger
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Autobiographical Recollections of Charles-Marie Widor
John R (Royalty Account) Near
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Narrative and Robert Schumann’s Songs : A New Approach to the Romantic Lied
Dr. Andrew H. (Contributor) Weaver
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