Mozart's Cosi fan tutte : A Compositional History
Ian Woodfield
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After Wagner : Histories of Modernist Music Drama from Parsifal to Nono
Mark Berry
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The Metropolitan Opera : Stories of the Great Operas
John W. Freeman
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Opera and Drama in Eighteenth-Century London : The King's Theatre, Garrick and the Business of Performance
Ian (Queen's University Belfast) Woodfield
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The Cambridge Mozart Encyclopedia
Cliff (King's College London) Eisen
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Harrison Birtwistle's Operas and Music Theatre
David (Cardiff University) Beard
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Oh Joy! Oh Rapture! : The Enduring Phenomenon of Gilbert and Sullivan
Ian (Reader in Practical Theology and Church History, School Bradley
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Camille Saint-Saens : On Music and Musicians
Roger Nichols
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Charles Munch
D. Kern (Distinguished Professor of Music, Distinguished Prof Holoman
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Bel Canto : A Performer's Guide
Robert (Professor, Professor, University of Western Ontario) Toft
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Music and the Exotic from the Renaissance to Mozart
Ralph P. Locke
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Gustav Mahler's Symphonic Landscapes
Thomas (Boston University) Peattie
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Dance and Drama in French Baroque Opera : A History
Rebecca (Cornell University, New York) Harris-Warrick
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The Cambridge Stravinsky Encyclopedia
Edward (University of Aberdeen) Campbell
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Leoncavallo : Life and Works
Konrad Dryden
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Rusalka : A Performance Guide with Translations and Pronunciation
Timothy Cheek
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The King’s Theatre Collection : Ballet and Italian Opera in London, 1706–1883, Revised and Expanded Edition
Morris S. Levy
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The Angel's Cry : Beyond the Pleasure Principle in Opera
Michel Poizat
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Women Writing Opera : Creativity and Controversy in the Age of the French Revolution
Jacqueline Letzter
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Monteverdi's Last Operas: A Venetian Trilogy
Ellen Rosand
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Opera in Seventeenth-Century Venice : The Creation of a Genre
Ellen Rosand
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Wagner, Schumann, and the Lessons of Beethoven's Ninth
Christopher Alan Reynolds
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Dreaming with Open Eyes : Opera, Aesthetics, and Perception in Arcadian Rome
Ayana O. Smith
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The Lyric Myth of Voice : Civilizing Song in Enlightenment Italy
Jessica Gabriel Peritz
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