Said on Opera
Edward (c/o The Wylie Agency) Said
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Die Frau Ohne Schatten: Hugo Von Hofmannsthals Und Richard Strauss' Schmerzenskind
Jurgen Maehder
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Opera in the Viennese Home from Mozart to Rossini
Nancy (University of Auckland) November
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Return to Riemann : Tonal Function and Chromatic Music
J. P. E. Harper-Scott
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Cognate Music Theories : The Past and the Other in Musicology (Essays in Honor of John Walter Hill)
Ignacio Prats-Arolas
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Women in Nineteenth-Century Czech Musical Culture : Apostles of a Brighter Future
Anja Bunzel
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John Zorn’s File Card Works : Hypertextual Intermediality in Composition and Analysis
Maurice Windleburn
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Exposing the Chasms in Voice Pedagogy : Playing the Field
Dale Cox
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International Who's Who in Classical Music 2024
Europa Publications
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Britten Experienced : Modernism, Musicology and Sentiment
Peter Franklin
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Wagner in Context
David (University of Cambridge) Trippett
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The Lied at the Crossroads of Performance and Musicology
Benjamin (Duquesne University, Pittsburgh) Binder
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Opera and Drama
Richard Wagner
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Fantasies of Music in Nostalgic Medievalism
Helen Dell
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Music Glocalization and the Composer : The Case of Franz Xaver Scharwenka (1850-1924)
Mikolaj Rykowski
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Add to BasketAn Anti-Woke Guide to Classical Music : A Celebration of Dead White Male Composers
Robert R. Reilly
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Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi
Blair Hoxby
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Beethoven's Ninth Symphony : Rehearsing and Performing its 1824 Premiere
Theodore (Person) Albrecht
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The Gothic Imagination in the Music of Franz Schubert
Joe (Royalty Account) Davies
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Historical Dictionary of Romantic Music
John Michael Cooper
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Eight Symphonic Masterworks of the Twentieth Century : A Study Guide for Conductors
Leonard Slatkin
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The Creation of Beethoven's Nine Symphonies
Barry A.R. (Professor of Music) Cooper
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Sounds, Ecologies, Musics
Aaron S. (Associate Professor of Musicology, Associate Professo Allen
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Cuban Music Counterpoints : Vanguardia Musical in Global Networks
Marysol (Assistant Professor of Musicology, Assistant Profess Quevedo
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