Music and Citizenship
Martin (Ethnomusicologist, Ethnomusicologist) Stokes
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French Lyric Diction : A Singer's Guide
Jason (Instructor, Instructor, University of Toronto Faculty Nedecky
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The Pipe Organ : A Composer's Guide
James (Sub-Organist, Sub-Organist, Gloucester Cathedral) Mitchell
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On African Music : Techniques, Influences, Scholarship
Kofi (Distinguished Professor, Distinguished Professor, The Gra Agawu
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Printing Music in Renaissance Rome
Jane A. (Austin Fletcher Professor of Music Emerita, Austin Bernstein
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The Afterlife of Bach's Organ Works : Their Reception from the Nineteenth Century to the Present
Russell (Emeritus Professor of Music, Emeritus Professor of M Stinson
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The Letters of Dr Charles Burney : Volume III: 1794-1800
Stewart (Scholar in Residence, Scholar in Residence, Dawson Col Cooke
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Mapping Medea : Revolutions and Transfers 1750-1800
Anna (Professor of Literature, Professor of Literature, St Albrektson
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Shaping Sound and Society : The Cultural Study of Musical Instruments
Stephen (City, University of London, UK) Cottrell
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The Routledge Companion to Applied Musicology
Chris Dromey
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Music, Place, and Identity in Italian Urban Soundscapes circa 1550-1860
Franco Piperno
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Aaron Copland in Latin America : Music and Cultural Politics
Carol A. Hess
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Circle of Winners : How the Guggenheim Foundation Composition Awards Shaped American Music Culture
Denise Von Glahn
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Schubert's Instrumental Music and Poetics of Interpretation
Rene Rusch
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Vaughan Williams and His World
Byron Adams
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Mozart's Operas and National Politics : Canon Formation in Prague from 1791 to the Present
Martin (University of Kansas) Nedbal
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String Virtuosi in Eighteenth-Century Naples : Culture, Power, and Music Institutions
Guido (University of Texas, Austin) Olivieri
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Elisabeth Lutyens and Edward Clark : The Orchestration of Progress in British Twentieth-Century Music
Annika (Royal Northern College of Music, Manchester) Forkert
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Monteverdi and the Marvellous : Poetry, Sound, and Representation
Roseen (Duke University, North Carolina) Giles
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Avant-Garde on Record : Musical Responses to Stereos
Jonathan (Universite de Montreal) Goldman
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Gerard Grisey and Spectral Music : Composition in the Information Age
Liam (BIMM University) Cagney
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Music and the Making of Medieval Venice
Jamie L. (Princeton University, New Jersey) Reuland
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The Crossings : Defining Slave to the Rhythm
Jeremy J. (University of York) Wells
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Opening Doors: Orchestras, Opera Companies and Community Engagement
Emily Dollman
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