The Guitar and its Music : From the Renaissance to the Classical Era
James (, Professor of Music and Director of Early Music Perform Tyler
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Interpreting Mozart : The Performance of His Piano Pieces and Other Compositions
Eva Badura-Skoda
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Not without Madness : Perspectives on Opera
Della Seta Fabrizio Della Seta
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Analyzing Classical Form : An Approach for the Classroom
William E. Caplin
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Bartok's Viola Concerto : The Remarkable Story of His Swansong
Donald Maurice
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Syntagma Musicum II : De Organographia: Parts I and II
Michael Praetorius
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Music in the Galant Style
Robert (Professor of Music, School of Music, Professor of Gjerdingen
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£71.00
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Editing Early Music
John (Reader in Music, Reader in Music, University of Oxford Caldwell
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Parsifal : In Full Score
Richard Wagner
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Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition
David (University of Toronto, Canada) Beach
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The Art of Partimento : History, Theory, and Practice
Giorgio Sanguinetti
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Inside Bluebeard's Castle : Music and Drama in Bela Bartok's Opera
Carl S. (Assistant Professor of Music History, Assistant Pr Leafstedt
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From Paris to Peoria : How European Piano Virtuosos Brought Classical Music to the American Heartland
R. Allen Lott
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Composing Dissent : Avant-garde Music in 1960s Amsterdam
Robert Adlington
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Purcell
Peter (Senior Associate Lecturer, Senior Associate Lecturer, C Holman
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Rachmaninoff: Composer, Pianist, Conductor
Barrie Martyn
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The Cantatas of J. S. Bach : With their librettos in German-English parallel text
Alfred Durr
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Dmitri Shostakovich Catalogue : The First Hundred Years and Beyond
Derek C. Hulme
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Understanding the Leitmotif : From Wagner to Hollywood Film Music
Matthew (University of Minnesota) Bribitzer-Stull
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The Real Tales of Hoffmann : Origin, History, and Restoration of an Operatic Masterpiece
Vincent Giroud
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