The Viennese Waltz : Decadence and the Decline of Austria’s Unconscious
Danielle Hood
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Orchestra Management : Models and Repertoires for the Symphony Orchestra
Arne Herman
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Opera Outside the Box : Notions of Opera in Nineteenth-Century Britain
Roberta Montemorra (University of Massachusetts, USA) Marvin
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Women in Rock, Women in Romanticism
James Rovira
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Topics in Musical Interpretation
Sezi (Bucknell University, USA) Seskir
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New Mansions For Music : Performance, Pedagogy and Criticism
Lakshmi Subramanian
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The International Who's Who in Classical/Popular Music Set 2024
Europa Publications
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Debussy in Context
Simon (Trinity College Dublin) Trezise
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Art Music Activism : Aesthetics and Politics in 1930s New York City
Maria Cristina Fava
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Sergei Rachmaninoff : Cross Rhythms of the Soul
Valeria Z. Nollan
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Tales from the Symphony : Perspectives from African American Musicians
Robert Lee Watt
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Tales from the Symphony : Perspectives from African American Musicians
Robert Lee Watt
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Music by Subscription : Composers and their Networks in the British Music-Publishing Trade, 1676–1820
Simon D.I. Fleming
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Cognate Music Theories : The Past and the Other in Musicology (Essays in Honor of John Walter Hill)
Ignacio Prats-Arolas
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Studies on Authorship in Historical Keyboard Music
Andrew Woolley
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Theological Anthropology in Mozart’s La clemenza di Tito : Sin, Grace, and Conversion
Steffen Losel
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The Politicized Concert Mass (1967-2007) : From Secularism to Pluralism
Stephanie Rocke
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The Sound of the English Picturesque : Georgian Vocal Music, Haydn, and Landscape Aesthetics
Stephen Groves
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Revisiting the Historiography of Postwar Avant-Garde Music
Anne-Sylvie Barthel-Calvet
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International Who's Who in Classical Music 2024
Europa Publications
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Orchestra Management in Practice
Salvino A. Salvaggio
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Robert Schumann: Piano Concerto
Julian (University of Durham) Horton
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Hensel: String Quartet in E flat
Benedict (University of Edinburgh) Taylor
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The Lied at the Crossroads of Performance and Musicology
Benjamin (Duquesne University, Pittsburgh) Binder
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