A Critical Companion to Medieval Motets
Jared C. (Customer) Hartt
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Music in Medieval Rituals for the End of Life
Elaine (Editor, Editor, Corpus monodicum) Stratton Hild
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From Modes to Keys in Early Modern Music Theory
Michael R. (Associate Professor, Associate Professor, Universit Dodds
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The Motet in the Late Middle Ages
Margaret (Emeritus Fellow, Emeritus Fellow, All Souls College, O Bent
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Music and Performance in the Book of Hours
Michael Alan Anderson
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Early English Composers and the Credo : Emphasis as Interpretation in Sixteenth-Century Music
Wendy J Porter
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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Material Cultures of Music Notation : New Perspectives on Musical Inscription
Floris (Utrecht University, Netherlands) Schuiling
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Song, Landscape, and Identity in Medieval Northern France : Toward an Environmental History
Jennifer (Presidential Professor and Associate Professor o Saltzstein
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Printing Music in Renaissance Rome
Jane A. (Austin Fletcher Professor of Music Emerita, Austin Bernstein
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Monteverdi and the Marvellous : Poetry, Sound, and Representation
Roseen (Duke University, North Carolina) Giles
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Music and the Making of Medieval Venice
Jamie L. (Princeton University, New Jersey) Reuland
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Studies on Authorship in Historical Keyboard Music
Andrew Woolley
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The Sound of Byzantium – The Byzantine Musical Instruments
Antonios Botonakis
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Companion to Medieval and Renaissance Music
Tess (Editor of ^IEarly Music^R, Editor of ^IEarly Music^R) Knighton
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One Hundred Latin Hymns : Ambrose to Aquinas
Peter G. Walsh
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Anthology of Medieval Music
Richard H. Hoppin
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Composers at Work : The Craft of Musical Composition 1450-1600
Jessie Ann (Associate Professor of Music, Associate Professor o Owens
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Singing Simpkin and other Bawdy Jigs : Musical Comedy on the Shakespearean Stage: Scripts, Music and Context
Roger Clegg
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Songs of the Women Trouveres
Eglal Doss-Quinby
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The Viola da Gamba
Bettina Hoffmann
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Medieval Instrumental Dances
Timothy J. McGee
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Authenticity and Early Music : A Symposium
Nicholas (Editor of ^IEarly Music^R, music critic of ^IThe Obs Kenyon
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Four and Twenty Fiddlers : The Violin at the English Court 1540-1690
Peter (Director of early music group ^IThe Parley of Instrumen Holman
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