The Performance of 16th-Century Music : Learning from the Theorists
Anne Smith
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The Cambridge History of Medieval Music 2 Volume Hardback Set
Mark (University of Southampton) Everist
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Josquin's Rome : Hearing and Composing in the Sistine Chapel
Jesse Rodin
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Giving Voice to Love : Song and Self-Expression from the Troubadours to Guillaume de Machaut
Judith A. Peraino
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Medieval Polyphony and Song
Helen (Royal Holloway, University of London) Deeming
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The Guitar in Tudor England : A Social and Musical History
Christopher (Sidney Sussex College, Cambridge) Page
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The Cambridge Companion to Hildegard of Bingen
Jennifer (Dalhousie University, Nova Scotia) Bain
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The Cultural Life of the Early Polyphonic Mass : Medieval Context to Modern Revival
Andrew (Rutgers University, New Jersey) Kirkman
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Guillaume de Machaut : Secretary, Poet, Musician
Elizabeth Eva Leach
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A Critical Companion to Medieval Motets
Jared C. (Customer) Hartt
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The Motet in the Late Middle Ages
Margaret (Emeritus Fellow, Emeritus Fellow, All Souls College, O Bent
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Music and Performance in the Book of Hours
Michael Alan Anderson
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Music in Medieval Rituals for the End of Life
Elaine (Editor, Editor, Corpus monodicum) Stratton Hild
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From Modes to Keys in Early Modern Music Theory
Michael R. (Associate Professor, Associate Professor, Universit Dodds
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Early English Composers and the Credo : Emphasis as Interpretation in Sixteenth-Century Music
Wendy J Porter
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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Material Cultures of Music Notation : New Perspectives on Musical Inscription
Floris (Utrecht University, Netherlands) Schuiling
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Song, Landscape, and Identity in Medieval Northern France : Toward an Environmental History
Jennifer (Presidential Professor and Associate Professor o Saltzstein
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