Understanding the Leitmotif : From Wagner to Hollywood Film Music
Matthew (University of Minnesota) Bribitzer-Stull
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Dido and Aeneas
Henry Purcell
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Richard D’Oyly Carte
Paul Seeley
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Queer Opera
Andrew Sutherland
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The Cambridge Companion to Operetta
Anastasia (University of Leeds) Belina
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Picture a day like this (First Edition Vocal Score)
George Benjamin
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The Choice of Odysseus : Homeric Ethics in Renaissance Epic and Opera
Dr Sarah (Indiana University) Van der Laan
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Rape at the Opera : Staging Sexual Violence
Margaret Cormier
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Rape at the Opera : Staging Sexual Violence
Margaret Cormier
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Latin America and the Transports of Opera : Fragments of a Transatlantic Discourse
Roberto Ignacio Diaz
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Latin America and the Transports of Opera : Fragments of a Transatlantic Discourse
Roberto Ignacio Diaz
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Opera in the Viennese Home from Mozart to Rossini
Nancy (University of Auckland) November
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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Theological Anthropology in Mozart’s La clemenza di Tito : Sin, Grace, and Conversion
Steffen Losel
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Women in Nineteenth-Century Czech Musical Culture : Apostles of a Brighter Future
Anja Bunzel
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Claudio Monteverdi’s Venetian Operas : Sources, Performance, Interpretation
Ellen Rosand
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Opera and Drama
Richard Wagner
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Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi
Blair Hoxby
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Becoming Audible : Sounding Animality in Performance
Austin McQuinn
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Popular Opera in Eighteenth-Century France : Music and Entertainment before the Revolution
David Charlton
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Mozart's Operas and National Politics : Canon Formation in Prague from 1791 to the Present
Martin (University of Kansas) Nedbal
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Opening Doors: Orchestras, Opera Companies and Community Engagement
Emily Dollman
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Genre Beyond Borders : Reassessing Operetta
Bruno Bower
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Seeing Opera Anew : A Cultural and Biological Perspective
Joseph Cone
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