The Opera Singer's Acting Toolkit : An Essential Guide to Creating A Role
Martin Constantine
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Understanding the Leitmotif : From Wagner to Hollywood Film Music
Matthew (University of Minnesota) Bribitzer-Stull
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Syntagma Musicum II : De Organographia: Parts I and II
Michael Praetorius
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The Baroque Violin & Viola : A Fifty-Lesson Course Volume I
Walter S. (Professor of Baroque Violin, Professor of Baroque V Reiter
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The Oxford Book of Italian Madrigals
Alec Harman
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The Cambridge Companion to Wagner's Der Ring des Nibelungen
Mark (Royal Holloway, University of London) Berry
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A Sonata Theory Handbook
James (Henry L. and Lucy G. Moses Professor Emeritus of Mus Hepokoski
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Editing Early Music
John (Reader in Music, Reader in Music, University of Oxford Caldwell
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Arthur Sullivan : A Life of Divine Emollient
Ian (Emeritus Professor of Cultural and Spiritual History, Un Bradley
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Leucippe and Clitophon
Achilles Tatius
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Korngold and His World
Daniel Goldmark
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The Concerto : A Listener's Guide
Michael Steinberg
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Music in the Galant Style
Robert (Professor of Music, School of Music, Professor of Gjerdingen
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Parsifal : In Full Score
Richard Wagner
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The Notation Is Not the Music : Reflections on Early Music Practice and Performance
Barthold Kuijken
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Storytelling in Opera and Musical Theater
Nina Penner
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The Music of James MacMillan
Phillip A. (Royalty Account) Cooke
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Marina Abramovic: 7 Deaths of Maria Callas
Marina Abramovic
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The Baroque Violin & Viola, vol. II : A Fifty-Lesson Course
Walter S. (Professor of Baroque Violin, Professor of Baroque V Reiter
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Sergey Prokofiev Diaries 1924-1933 : Prodigal Son
Sergei Prokofiev
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The Beethoven Syndrome : Hearing Music as Autobiography
Mark Evan (Cary C. Boshamer Distinguished Professor of Music, C Bonds
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The Oxford Book of Flexible Choral Songs
Alan Bullard
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Inside Bluebeard's Castle : Music and Drama in Bela Bartok's Opera
Carl S. (Assistant Professor of Music History, Assistant Pr Leafstedt
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Understanding the Women of Mozart's Operas
Kristi Brown-Montesano
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