Music and Identity in Twenty-First-Century Monasticism
Amanda J. Haste
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Sounds, Ecologies, Musics
Aaron S. (Associate Professor of Musicology, Associate Professo Allen
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Cuban Music Counterpoints : Vanguardia Musical in Global Networks
Marysol (Assistant Professor of Musicology, Assistant Profess Quevedo
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Music and Citizenship
Martin (Ethnomusicologist, Ethnomusicologist) Stokes
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French Lyric Diction : A Singer's Guide
Jason (Instructor, Instructor, University of Toronto Faculty Nedecky
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The Pipe Organ : A Composer's Guide
James (Sub-Organist, Sub-Organist, Gloucester Cathedral) Mitchell
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On African Music : Techniques, Influences, Scholarship
Kofi (Distinguished Professor, Distinguished Professor, The Gra Agawu
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Printing Music in Renaissance Rome
Jane A. (Austin Fletcher Professor of Music Emerita, Austin Bernstein
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The Afterlife of Bach's Organ Works : Their Reception from the Nineteenth Century to the Present
Russell (Emeritus Professor of Music, Emeritus Professor of M Stinson
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The Letters of Dr Charles Burney : Volume III: 1794-1800
Stewart (Scholar in Residence, Scholar in Residence, Dawson Col Cooke
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Historical Dictionary of Choral Music
Melvin P. Unger
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Bach's St. John Passion for the Twenty-First Century : Musical and Theological Perspectives
Michael Fuchs
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Richard Wagner and the Art of the Avant-Garde, 1860-1910
Donald A. Rosenthal
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Josef Hofmann : The Piano’s Forgotten Giant
Elizabeth Carr
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Mozart's Operas and National Politics : Canon Formation in Prague from 1791 to the Present
Martin (University of Kansas) Nedbal
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Elisabeth Lutyens and Edward Clark : The Orchestration of Progress in British Twentieth-Century Music
Annika (Royal Northern College of Music, Manchester) Forkert
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Monteverdi and the Marvellous : Poetry, Sound, and Representation
Roseen (Duke University, North Carolina) Giles
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Avant-Garde on Record : Musical Responses to Stereos
Jonathan (Universite de Montreal) Goldman
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Gerard Grisey and Spectral Music : Composition in the Information Age
Liam (BIMM University) Cagney
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Music and the Making of Medieval Venice
Jamie L. (Princeton University, New Jersey) Reuland
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The Crossings : Defining Slave to the Rhythm
Jeremy J. (University of York) Wells
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Opening Doors: Orchestras, Opera Companies and Community Engagement
Emily Dollman
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Inclusive Music Histories: Leading Change through Research and Pedagogy : CMS Emerging Fields in Music
Ayana O. Smith
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Studies on Authorship in Historical Keyboard Music
Andrew Woolley
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