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George Benjamin
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Christopher Morris
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Tommaso (Marie Sklodowska-Curie Global Postdoctoral Fellow, Sabbatini
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Louise K. (Professor of Musicology, Medieval and Early Modern S Stein
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Dr Sarah (Indiana University) Van der Laan
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Mikel Rouse
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George Benjamin
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Add to BasketOpera for Everyone : The Industry's Experiments with American Opera in the Digital Age
Megan Steigerwald Ille
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Add to BasketOpera Outside the Box : Notions of Opera in Nineteenth-Century Britain
Roberta Montemorra (University of Massachusetts, USA) Marvin
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Anja Bunzel
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Add to BasketTradition, Community, and Nationhood in Richard Wagner’s 'Die Meistersinger von Nurnberg'
Christopher Kimbell
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Rachel N. Becker
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Blair Hoxby
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Ana P Sanchez-Rojo
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Judith Barger
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Pre-OrderCurtain, Gong, Steam : Wagnerian Technologies of Nineteenth-Century Opera
Gundula Kreuzer
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Richard Bonynge
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Add to BasketInventing the Opera House : Theater Architecture in Renaissance and Baroque Italy
Eugene J. (Williams College, Massachusetts) Johnson
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Add to BasketInside Bluebeard's Castle : Music and Drama in Bela Bartok's Opera
Carl S. (Assistant Professor of Music History, Assistant Pr Leafstedt
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Micaela Baranello
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Seth
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Add to BasketActing for Singers : Creating Believable Singing Characters
David F. (, Bay Area Summer Opera Theater Institute) Ostwald
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Add to BasketPurcell
Peter (Senior Associate Lecturer, Senior Associate Lecturer, C Holman
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Add to BasketUnderstanding the Leitmotif : From Wagner to Hollywood Film Music
Matthew (University of Minnesota) Bribitzer-Stull
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