Electronic and Experimental Music : Technology, Music, and Culture
Thom Holmes
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Music in the Galant Style
Robert (Professor of Music, School of Music, Professor of Gjerdingen
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Syntagma Musicum II : De Organographia: Parts I and II
Michael Praetorius
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Editing Early Music
John (Reader in Music, Reader in Music, University of Oxford Caldwell
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The Cambridge History of Western Music Theory
Thomas (University of Chicago) Christensen
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Inside Bluebeard's Castle : Music and Drama in Bela Bartok's Opera
Carl S. (Assistant Professor of Music History, Assistant Pr Leafstedt
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Anthology of Post-Tonal Music : For Use with Understanding Post-Tonal Music
Miguel A. Roig-Francoli
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Purcell
Peter (Senior Associate Lecturer, Senior Associate Lecturer, C Holman
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A History of the Symphony : The Grand Genre
Jeffrey Langford
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Rethinking Prokofiev
Rita (Emeritus Professor, Emeritus Professor, Royal Conser McAllister
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The Aesthetics of Imperfection in Music and the Arts : Spontaneity, Flaws and the Unfinished
Andy (Durham University, UK) Hamilton
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Nadia and Lili Boulanger
Caroline Potter
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Classical Concert Studies : A Companion to Contemporary Research and Performance
Martin Trondle
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Arabesque without End : Across Music and the Arts, from Faust to Shahrazad
Anne Leonard
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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The Roman Sacred Music of Alessandro Scarlatti
Luca Della Libera
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Theological Anthropology in Mozart’s La clemenza di Tito : Sin, Grace, and Conversion
Steffen Losel
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Material Cultures of Music Notation : New Perspectives on Musical Inscription
Floris (Utrecht University, Netherlands) Schuiling
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The Politicized Concert Mass (1967-2007) : From Secularism to Pluralism
Stephanie Rocke
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Harmonic Development and Contrapuntal Techniques for the Jazz Pianist : An Imaginative Approach
Gary Motley
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The Player Piano and Musical Labor : The Ghost in the Machine
Allison Rebecca Wente
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Music and Performance in the Book of Hours
Michael Alan Anderson
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Joaquin Rodrigo : A Research and Information Guide
Walter Aaron (University of California, Riverside, USA) Clark
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The Popular and the Sacred in Music
Antti-Ville Karja
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