The Art of Partimento : History, Theory, and Practice
Giorgio (Associate Professor of Music Theory, Associate P Sanguinetti
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The Keyboard Music of J.S. Bach
David Schulenberg
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Recording Orchestra and Other Classical Music Ensembles
Richard King
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Music in Vienna : 1700, 1800, 1900
David Wyn Jones
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Modal Counterpoint : Renaissance Style
Peter (Associate Professor in the Faculty of Music, Associat Schubert
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The End of Early Music : A Period Performer's History of Music for the Twenty-First Century
Bruce Haynes
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Curtain, Gong, Steam : Wagnerian Technologies of Nineteenth-Century Opera
Gundula Kreuzer
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Off the Record : Performing Practices in Romantic Piano Playing
Neal Peres da Costa
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Chalet Monet : Inside the Home of Dame Joan Sutherland and Richard Bonynge
Richard Bonynge
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Electronic and Experimental Music : Technology, Music, and Culture
Thom Holmes
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Daniels' Orchestral Music
David Daniels
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A Geometry of Music : Harmony and Counterpoint in the Extended Common Practice
Dmitri Tymoczko
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Music in the Galant Style
Robert (Professor of Music, School of Music, Professor of Gjerdingen
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Bartok's Viola Concerto : The Remarkable Story of His Swansong
Donald Maurice
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Jean Sibelius
Tomi Makela
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Syntagma Musicum II : De Organographia: Parts I and II
Michael Praetorius
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Editing Early Music
John (Reader in Music, Reader in Music, University of Oxford Caldwell
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Robert Schumann: Herald of a 'New Poetic Age'
The late John (Associate Professor of Music and Chairman of t Daverio
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Music in the Galant Style
Robert (Professor of Music, School of Music, Professor of Gjerdingen
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Inside Bluebeard's Castle : Music and Drama in B?la Bart?k's Opera
Carl S. Leafstedt
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Elements of Sonata Theory : Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata
James Hepokoski
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