From Renaissance to Baroque : Change in Instruments and Instrumental Music in the Seventeenth Century
Jonathan Wainwright
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Bach Performance Practice, 1945-1975 : A Comprehensive Review of Sound Recordings and Literature
Dorottya Fabian
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The Performance of Italian Basso Continuo : Style in Keyboard Accompaniment in the Seventeenth and Eighteenth Centuries
Giulia Nuti
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Art and Music in the Early Modern Period : Essays in Honor of Franca Trinchieri Camiz
KatherineA. McIver
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Francois Couperin and 'The Perfection of Music'
David Tunley
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Baroque Music
Peter Walls
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Vivaldi
Michael Talbot
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Handel
David Vickers
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Purcell
Peter Holman
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Monteverdi
Richard Wistreich
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Music in the British Provinces, 1690-1914
Peter Holman
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The Stylus Phantasticus and Free Keyboard Music of the North German Baroque
Paul Collins
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Synopsis of Vocal Musick by A.B. Philo-Mus.
Rebecca Herissone
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Vivaldi's Music for Flute and Recorder
Michael Talbot
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Music in the Collective Experience in Sixteenth-Century Milan
Christine Suzanne Getz
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Baroque Piety: Religion, Society, and Music in Leipzig, 1650-1750
Tanya Kevorkian
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The Monthly Mask of Vocal Music 1702-1711 : A Facsimile Edition
Thelma Wilson
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Aspects of the Secular Cantata in Late Baroque Italy
Michael Talbot
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A Woman's Voice in Baroque Music: Mariane von Ziegler and J.S. Bach
MarkA. Peters
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Devotional Music in the Iberian World, 1450–1800 : The Villancico and Related Genres
Alvaro Torrente
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Essays on the Performance of Baroque Music : Opera and Chamber Music in France and England
Mary Cyr
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John Birchensha: Writings on Music
Christopher D.S. Field
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