Navigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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Navigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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New Mansions For Music : Performance, Pedagogy and Criticism
Lakshmi Subramanian
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The International Who's Who in Classical/Popular Music Set 2024
Europa Publications
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Italian Opera in Global and Transnational Perspective : Reimagining Italianita in the Long Nineteenth Century
Axel (University College London) Korner
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Leonard Bernstein in Context
Elizabeth A. (Mount Allison University, Canada) Wells
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Debussy in Context
Simon (Trinity College Dublin) Trezise
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Vaughan Williams in Context
Julian (West Chester University, Pennsylvania) Onderdonk
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The Viennese Waltz : Decadence and the Decline of Austria’s Unconscious
Danielle Hood
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Liszt Recomposed : Exploring Intertextual Fluidity in Song
Nicolas Puyane
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Transitions in Mid-Baroque Music : Style, Genre and Performance
Carrie Churnside
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Britten's Gods : Purcell, Bach, Mozart, Schubert, Verdi, Mahler
Sterling Lambert
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The Reminiscences and Selected Criticism of Herbert Thompson
Michael Allis
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The Gentleman Dancing-Master : Mr Isaac and the English Royal Court from Charles II to Queen Anne
Jennifer Thorp
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Choral Treatises and Singing Societies in the Romantic Age
David Friddle
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Sing Romantic Music Romantically : Nineteenth-Century Choral Performance Practices
David Friddle
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Opera as Art : Philosophical Sketches
Paul Thom
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Sergei Rachmaninoff : Cross Rhythms of the Soul
Valeria Z. Nollan
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The Nurse in History and Opera: From Servant to Sister
Judith Barger
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Autobiographical Recollections of Charles-Marie Widor
John R (Royalty Account) Near
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Narrative and Robert Schumann’s Songs : A New Approach to the Romantic Lied
Dr. Andrew H. (Contributor) Weaver
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The Musical Relationship between Claude Debussy and Igor Stravinsky
Professor Mark McFarland
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Handel’s Messiah : The Creative Process
Amanda Babington
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My Dearest Father
Wolfgang Amadeus Mozart
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