Art Music Activism : Aesthetics and Politics in 1930s New York City
Maria Cristina Fava
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The World Got Away : A Memoir
Mikel Rouse
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Commentaries on the Cantatas of Johann Sebastian Bach : A Selective Guide
Hans-Joachim Schulze
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The Symphonic Repertoire, Volume V
B Hart
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Screening the Operatic Stage : Television and Beyond
Christopher Morris
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Music, the Market, and the Marvellous : Parisian Feerie, 1864-1900
Tommaso (Marie Sklodowska-Curie Global Postdoctoral Fellow, Sabbatini
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Song in the Novel
Jennifer (Associate Professor in French and Comparative Lit Rushworth
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Bach's Art of Fugue and Musical Offering
Matthew (Professor of Music, Professor of Music, University of Dirst
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Shostakovich's Symphony No. 5
Marina (Professor of Music History, Professor of Music Frolova-Walker
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Classical and Romantic Performing Practice
Clive (Emeritus Professor of Applied Musicology, Emeritus Profe Brown
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The Oxford Handbook of Community Singing
Esther M. (Associate Professor of Music History, Associa Morgan-Ellis
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Paul Robeson's Voices
Grant (Music Historian and Lecturer, Music Historian and Lectu Olwage
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Voice, Slavery, and Race in Seventeenth-Century Florence
Emily (Associate Professor of Musicology, Associate Profess Wilbourne
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Transforming Choral Singing : An Activist's Guide for Choir Directors
Charles W. (Artistic Director, Artistic Director, San Diego Gay Beale
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Swinglines : Rhythm, Timing, and Polymeter in Musical Phrasing
Fernando (Professor of Music, Professor of Music, American Un Benadon
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The Cantigas de Santa Maria : Power and Persuasion at the Alfonsine Court
Henry T. (Postdoctoral Researcher, Postdoctoral Researcher, Drummond
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The Marques, the Divas, and the Castrati : Gaspar de Haro y Guzman and Opera in the Early Modern Spanish Orbit
Louise K. (Professor of Musicology, Medieval and Early Modern S Stein
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Jazz Migrations : Movement as Place Among New York Musicians
Ofer (Senior Lecturer in Music, Senior Lecturer in Music, Tel A Gazit
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Music in Medieval Rituals for the End of Life
Elaine (Editor, Editor, Corpus monodicum) Stratton Hild
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The Choice of Odysseus : Homeric Ethics in Renaissance Epic and Opera
Dr Sarah (Indiana University) Van der Laan
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The Lied at the Crossroads of Performance and Musicology
Benjamin (Duquesne University, Pittsburgh) Binder
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Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi
Blair Hoxby
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Cognate Music Theories : The Past and the Other in Musicology (Essays in Honor of John Walter Hill)
Ignacio Prats-Arolas
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The Media of Secular Music in the Medieval and Early Modern Period (1100–1650)
Vincenzo Borghetti
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