Bach Interpretation : Articulation Marks in Primary Sources of J. S. Bach
John (University of Cambridge) Butt
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Add to BasketEngaging Bach : The Keyboard Legacy from Marpurg to Mendelssohn
Matthew (University of Houston) Dirst
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Ruth Tatlow
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Rebecca (Cornell University, New York) Harris-Warrick
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Rebecca (Cornell University, New York) Harris-Warrick
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Add to BasketThe Routledge Research Companion to Johann Sebastian Bach
Robin Leaver
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Melanie L. Marshall
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Caroline Wood
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Add to BasketThe Music of Wilhelm Friedemann Bach
Professor David (Customer) Schulenberg
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Lex Eisenhardt
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Add to BasketThe Instrumental Music of Schmeltzer, Biber, Muffat and their Contemporaries
Charles E. Brewer
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Add to BasketBohemian Baroque : Czech Musical Culture and Style, 1600-1750
Robert G (Royalty Account) Rawson
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James Haar
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Add to BasketAbout Bach
Gregory G. Butler
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Add to BasketExploring the World of J. S. Bach : A Traveler's Guide
Robert L. Marshall
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Add to BasketO Let Us Howle Some Heavy Note : Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage
Amanda Eubanks Winkler
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Add to BasketTonal Space in the Music of Antonio Vivaldi
Bella Brover-Lubovsky
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Add to BasketMusical Cultures in Seventeenth-Century Russia
Claudia R. Jensen
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Add to BasketMusic and the Language of Love : Seventeenth-Century French Airs
Catherine Gordon-Seifert
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Add to BasketThe Symphonic Repertoire, Volume I : The Eighteenth-Century Symphony
Mary Sue Morrow
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Add to BasketClaudio Monteverdi’s Venetian Operas : Sources, Performance, Interpretation
Ellen Rosand
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Add to BasketBach Studies : Liturgy, Hymnology, and Theology
Robin A. Leaver
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Add to BasketEarly Printed Music and Material Culture in Central and Western Europe
Andrea (University of Salzburg, Austria) Lindmayr-Brandl
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Add to BasketOrpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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